{"id":76296,"date":"2024-02-06T04:56:23","date_gmt":"2024-02-06T02:56:23","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=76296"},"modified":"2024-02-06T14:05:25","modified_gmt":"2024-02-06T12:05:25","slug":"reteta-succesului-de-la-tnb-radu-afrim-niciodata-nu-am-abordat-teme-la-moda","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/reteta-succesului-de-la-tnb-radu-afrim-niciodata-nu-am-abordat-teme-la-moda\/","title":{"rendered":"Re\u021beta succesului de la TNB | Radu Afrim: \u201eNiciodat\u0103 nu am abordat teme la mod\u0103”"},"content":{"rendered":"\n

Pe 4 februarie a avut loc prima reprezenta\u021bie \u00een urma ultimei puneri \u00een v\u00e2nzare de bilete pentru piesa La c\u00e2\u021biva oameni distan\u021b\u0103 de tine<\/em>,<\/a> regizat\u0103 de Radu Afrim, pentru ale c\u0103rei bilete peste 3000 de oameni au stat la coad\u0103, at\u00e2t fizic, c\u00e2t \u0219i \u00een online. Urmeaz\u0103 alte trei reprezenta\u021bii, la finalul lunii martie, \u0219i ele cu biletele epuizate.<\/strong> <\/p>\n\n\n\n

Piesa \u00een cauz\u0103 a avut premiera \u00een iulie anul trecut, la Ia\u0219i, \u0219i a ajuns la \u00eenceputul noului an \u0219i pe scena Teatrului Na\u0163ional I. L. Caragiale Bucure\u015fti. \u00cempreun\u0103 cu alte opere ale aceluia\u0219i regizor, reprezenta\u021biile au umplut anticipat sala teatrului. Este vorba despre P\u0103durea Sp\u00e2nzura\u021bilor<\/a>, Trei surori <\/a><\/em>\u0219i Repeti\u021bie pentru o lume mai bun\u0103<\/a><\/em><\/p>\n\n\n\n

Zilele trecute, oamenii publicau pe re\u021belele de socializare capturi de ecran cu \u201elocul lor de la coada\u201d din online, \u00een timp ce al\u021bii \u00ee\u0219i postau bucuro\u0219i dovada succesului \u00een achizi\u021bionarea unui bilet. Timpul de a\u0219teptare a variat de la 20 de minute la o or\u0103 sau chiar peste:<\/p>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/figure>\n
Surs\u0103: Radu Afrim, Facebook<\/figcaption><\/figure>\n\n\n\n

\u0218i alte spectacole au v\u00e2ndut deja toate biletele pentru urm\u0103toarele zile: O noapte furtunoas\u0103, \u00een regia lui Alexandru Nagy, Opera de trei parale, \u00een regia lui Gelu Colceag, Gertrude, \u00een regia lui Silviu Purc\u0103rete, Cursa de \u0219oareci, \u00een regia lui Erwin \u0218im\u0219ensohn, \u0219i altele.<\/p>\n\n\n\n

Buletin de Bucure\u0219ti a vorbit cu regizorul Radu Afrim despre interesul \u00een cre\u0219tere al oamenilor pentru teatru \u0219i despre rela\u021bia lor cu acesta, dar \u0219i despre abordarea personal\u0103 fa\u021b\u0103 de arta de a regiza.<\/strong><\/p>\n\n\n\n

Perspectivele spectatorului <\/h2>\n\n\n\n

Radu Afrim ne-a povestit despre cum interesul sporit pentru arta teatral\u0103 se poate observa \u00eentr-o schimbare cultural\u0103 \u00een atitudinea spectatorului, generat\u0103 de o nevoie social\u0103 nesatisf\u0103cut\u0103 \u00een societatea contemporan\u0103: nevoia de a avea parte de o \u201ecomunicare direct\u0103, clar\u0103\u201d<\/em>, dar \u0219i o receptivitate pentru noii actori, tinerii actori talenta\u021bi. <\/p>\n\n\n\n

\u201eAbsolut, teatrul e pe val. Motivele pot fi multiple. Primul ar fi \u2013 dup\u0103 mine \u2013 criza acut\u0103 a comunic\u0103rii directe, calde.<\/strong> Privitul \u00een ochii celuilalt. Unii consider\u0103 c\u0103 solu\u021bia pentru a-i aduce pe tineri la teatru e sa faci spectacole despre device-uri. S\u0103-i pui s\u0103 se priveasc\u0103, s\u0103 interac\u021bioneze tot prin intermediul tehnologiei \u0219i la teatru. Gre\u0219it. Ei vin aici s\u0103 simt\u0103 c\u0103ldura uman\u0103 pe care n-o mai prea g\u0103sesc \u00een lumea civil\u0103. Occidentul a pierdut tinerii din s\u0103lile de teatru \u0219i acum inventeaz\u0103 tot felul de stupidit\u0103\u021bi pentru a-i rec\u00e2\u0219tiga. \u00cens\u0103 tinerii nu sunt stupizi \u0219i nu se las\u0103 \u00eenregimenta\u021bi at\u00e2t de u\u0219or \u00een plutoane monocefale.\u201d<\/em><\/p>\n\n\n\n

\u201eSpectatorii au devenit mai lucizi, exist\u0103 grupuri pe care discut\u0103 despre valoarea \u0219i mesajul produsului cultural pentru care au pl\u0103tit bilet. Eu mereu le-am cerut asta prin interviuri. Unii au veleit\u0103\u021bi de cronicar profesionist. Asta e cu dou\u0103 t\u0103i\u0219uri. Exist\u0103 \u00een continuare \u0219i un public de agrement, care dore\u0219te divertisment pur la teatru (cam \u00een zona celui cu care i-a obi\u0219nuit televiziunile). Acesta nu a fost niciodat\u0103 publicul meu. Dar asta nu \u00eenseamn\u0103 c\u0103-l detest<\/em>\u201d, spune Afrim r\u00e2z\u00e2nd.<\/p>\n\n\n\n

\u201ePe de alt\u0103 parte, lumea e din ce \u00een ce mai atent\u0103 la mesajul social al spectacolelor, la tinerii actori, publicul are o sete nou\u0103 \u2013 a\u0219 zice \u2013 de a descoperi tineri pe scen\u0103. A cam apus vremea celebrei <<nu mai avem actori ca alt\u0103dat\u0103>>. Lumea care umbl\u0103 la teatru pe bune nu are cum s\u0103 vehiculeze astfel de inep\u021bii. (…) Cu filmul rom\u00e2nesc de festival, compatrio\u021bii mei au o rela\u021bie de <<hate>> \u0219i mai pu\u021bin <<love>>, \u00een continuare. Altfel st\u0103 treaba cu comediile comerciale unde e vad de popula\u021bie. Cam a\u0219a era \u0219i la TNB pe vremea lui S\u0103raru. Doar la comedii <<spumoase>>  cu vedete se umplea sala. <\/em>Sunt acum vremuri \u00een care dac\u0103 un t\u00e2n\u0103r actor a demonstrat c\u0103 e incredibil de bun \u00een dou\u0103 spectacole, va face s\u0103li pline. F\u0103r\u0103 s\u0103 mearg\u0103 pe la tv s\u0103 zic\u0103 glumi\u021be triste<\/em><\/strong>\u201d.<\/strong><\/p>\n\n\n\n

\"\"
Surs\u0103: Radu Afrim, Facebook<\/figcaption><\/figure>\n\n\n\n

Perspectivele regizorului<\/h2>\n\n\n\n

L-am \u00eentrebat pe Radu Afrim despre sentimentele pe care i le provoac\u0103 succesul pieselor sale lui \u0219i actorilor care le joac\u0103:\u201eDec\u00e2t s\u0103 savurez acest succes prefer s\u0103 m\u0103 caut mai departe si mai aproape teme \u00een care spectatorii s\u0103 se reg\u0103seasc\u0103 \u0219i mai mult\u201d.<\/em><\/p>\n\n\n\n

Motiv\u00e2nd afirma\u021bia, acesta subliniaz\u0103 faptul c\u0103 este important s\u0103 caute \u0219i s\u0103 aduc\u0103 \u00een fa\u021ba spectatorului teme care reprezint\u0103 un interes comun \u00eentre el \u0219i public, sau teme de interes personal care simte c\u0103 merit\u0103 transmise mai departe, implic\u00e2nd spectatorii c\u00e2t mai mult \u00een \u201ealuatul piesei\u201d:<\/p>\n\n\n\n

\u201eFac meseria asta de 24 de ani. \u00cemi amintesc anii de \u00eenceput \u00een care eram acceptat de foarte pu\u021bin\u0103 lume \u0219i \u00eemi dau seama c\u0103 acele vremuri s-ar putea \u00eentoarce oric\u00e2nd. De aceea nu fac dec\u00e2t ceea ce simt eu c\u0103 trebuie s\u0103 fac, nu am un agent, nu am pe cineva care s\u0103-mi direc\u021bioneze parcursul artistic<\/strong>. <\/em><\/p>\n\n\n\n

Practic tind \u00eenspre anularea conceptului de spectator \u0219i doresc integrarea lui total\u0103 \u00een poveste. <\/strong>Nu ca personaj, ci mult mai mult. La sf\u00e2r\u0219itul reprezenta\u021biei nici nu-\u0219i va da seama c\u0103 a fost parte esen\u021bial\u0103 \u00een aluatul spectacolului. Nu e vorba aici de agresarea intimit\u0103\u021bii lui, de\u0219i exist\u0103 \u0219i momente amuzante de interac\u021biune fizic\u0103\u201d<\/em>.<\/p>\n\n\n\n

Pentru actori, acesta afirm\u0103 c\u0103 reac\u021biile pozitive sunt, \u00eentr-adev\u0103r un factor motivant, \u00een special pentru tinerii actori. Cu toate acestea, aten\u021bia tuturor r\u0103m\u00e2ne \u00eendreptat\u0103 c\u0103tre realizarea \u0219i perfec\u021bionarea pieselor de teatru la care lucreaz\u0103:<\/p>\n\n\n\n

\u201eFeedback-urile pozitive \u00eei motiveaz\u0103 pe actori, mai ales pe cei care nu sunt \u00een focusul presei non-stop. Exist\u0103 actori uimitori de buni \u00eens\u0103 aproape necunoscu\u021bi. \u0218i brusc, lumea are o revela\u021bie c\u00e2nd \u00eei vede \u00een aceste roluri consistente. Noi nu vorbim despre succes \u00eentre noi. Mai degrab\u0103 vorbim despre fricile noastre legate de lucrarea \u00een care suntem implica\u021bi. \u0218tim \u00eens\u0103 c\u0103 succesul \u0103sta \u00eenseamn\u0103 responsabilitate\u201d.<\/em><\/p>\n\n\n\n

Aceasta \u201eresponsabilitate\u201d nu \u00eenseamn\u0103, \u00eens\u0103, satisfacerea tuturor dolean\u021belor spectatorilor, ci men\u021binerea acestui \u201edialog\u201d, acestei comunic\u0103ri directe cu spectatorul:<\/p>\n\n\n\n

\u201eNu merg pe crezuri ridicole gen <<spectatorul meu, st\u0103p\u00e2nul meu>>. No way. Cred c\u0103 am ajuns popular tocmai pentru c\u0103 am f\u0103cut mereu spectacole despre ce m-a interesat cu adev\u0103rat. Niciodat\u0103 nu am abordat teme la mod\u0103. Din contr\u0103, \u00een momentul \u00een care prea mul\u021bi abordeaz\u0103 acelea\u0219i subiecte care dau bine, fie ele \u0219i incomode, eu \u00eemi iau r\u0103mas bun de la ele. P\u00e2n\u0103 trece trendul.\u201d<\/em><\/p>\n\n\n\n

\"\"
Surs\u0103: Radu Afrim, Facebook<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Mesajul lui Afrim<\/h2>\n\n\n\n

\u00centrebat dac\u0103 are un mesaj pentru spectatorii constan\u021bi sau ocazionali, dar \u0219i pentru cei care nu viziteaz\u0103 s\u0103lile de teatru, Afrim a spus c\u0103 singurul mesaj pe care poate s\u0103-l transmit\u0103 este prin prisma spectacolelor sale. <\/p>\n\n\n\n

\u201eMesajul\u201d, deci, ar fi mai mult cel de a-i \u00eendemna pe oameni s\u0103 experimenteze aceast\u0103 posibilitate de deschidere a unui dialog sincer, deschidere c\u0103tre mesajul care este transmis prin piesa de teatru al c\u0103rui spectator este: <\/p>\n\n\n\n

\u201ePot s\u0103 le spun doar c\u0103 teatrul e unul din pu\u021binele locuri \u00een care mai po\u021bi sim\u021bi \u0219i g\u00e2ndi f\u0103r\u0103 s\u0103 te bruieze nimeni. Eventual doar actorii dar asta se iart\u0103,\u201d<\/strong><\/em> spune acesta r\u00e2z\u00e2nd. Un altfel de mesaj nu poate fi transmis: \u201eNu am cum s-o fac prin cuvinte, fiecare o facem prin spectacolele noastre, mai mult ar trebui s\u0103 fac\u0103 PR-ul teatrelor. Televiziunile o fac prea pu\u021bin \u00eenspre deloc \u00eens\u0103 se pare c\u0103 ne descurc\u0103m \u0219i f\u0103r\u0103 ele. Sunt posturi de radio excelente care promoveaz\u0103 cu cap \u0219i relaxat teatrul\u201d<\/em>, conchide regizorul. <\/p>\n\n\n\n

La c\u00e2\u021biva oameni distan\u021b\u0103 de tine<\/h2>\n\n\n\n

Piesa de teatru, \u201espectacolul lumii noastre\u201d<\/em>, La c\u00e2\u0163iva oameni distan\u0163\u0103 de tine, este scris\u0103 de Dan Coman \u0219i este o coproduc\u0163ie TNB \u2014 Centrul Cultural George Co\u0219buc Bistri\u021ba. Aceasta a fost regizat\u0103 cu scopul de a deveni \u201epiatr\u0103 de temelie\u201d pentru un nou teatru, Centrul Co\u0219buc, \u00een ora\u0219ul natal al regizorului, iar TNB a sprijinit procesul. <\/p>\n\n\n\n

\u00cen cadrul piesei se vorbe\u0219te despre \u201eapropierea dintre oameni, dar \u015fi despre distan\u021bele dintre noi care cresc \u0219i descresc odat\u0103 cu fiecare alegere, cu fiecare vis, cu fiecare nou\u0103 \u00eent\u00e2lnire. Un spectacol despre rela\u021biile sensibile dintre p\u0103rin\u021bi \u0219i copii, aflate \u00een permanent\u0103 schimbare\u201d<\/em>. Spectacolul este compus din dou\u0103 pove\u0219ti despre teme antagonice p\u00e2n\u0103 la un punct: adev\u0103r \u0219i minciun\u0103, dragoste \u015fi singur\u0103tate.<\/p>\n\n\n\n

Actorii sunt Marius Manole, Mirela Opri\u0219or, Marius Bodochi, Natalia C\u0103lin, \u0218tefan Iancu \u0219i Flavia Giurgiu.<\/p>\n\n\n\n

Programul Teatrului Na\u021bional I.L. Caragiale din Capital\u0103 poate fi accesat aici.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pe 4 februarie a avut loc prima reprezenta\u021bie \u00een urma ultimei puneri \u00een v\u00e2nzare de bilete pentru piesa La c\u00e2\u021biva oameni distan\u021b\u0103 de tine, regizat\u0103 de Radu Afrim, pentru ale c\u0103rei bilete peste 3000 de oameni au stat la coad\u0103, at\u00e2t fizic, c\u00e2t \u0219i \u00een online. Urmeaz\u0103 alte trei reprezenta\u021bii, la finalul lunii martie, \u0219i […]<\/p>\n","protected":false},"author":47,"featured_media":76299,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[6994,81,3238,5762],"tags":[499,9547,9550,9546,9551,5608,9549,9545,4085,9548],"ppma_author":[22580],"class_list":["post-76296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-2","category-cultura","category-interviu","category-main","tag-interviu","tag-la-cativa-oameni-distanta-de-tine","tag-padurea-spanzuratilor","tag-radu-afrim","tag-regie","tag-regizor","tag-repetitie-pentru-o-lume-mai-buna","tag-teatrul-national-bucuresti","tag-tnb","tag-trei-surori"],"acf":[],"yoast_head":"\nRe\u021beta succesului de la TNB | Radu Afrim: \u201eNiciodat\u0103 nu am abordat teme la mod\u0103" - Buletin de Bucure\u0219ti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/buletin.de\/bucuresti\/reteta-succesului-de-la-tnb-radu-afrim-niciodata-nu-am-abordat-teme-la-moda\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Re\u021beta succesului de la TNB | Radu Afrim: \u201eNiciodat\u0103 nu am abordat teme la mod\u0103"\" \/>\n<meta property=\"og:description\" content=\"Pe 4 februarie a avut loc prima reprezenta\u021bie \u00een urma ultimei puneri \u00een v\u00e2nzare de bilete pentru piesa La c\u00e2\u021biva oameni distan\u021b\u0103 de tine, regizat\u0103 de Radu Afrim, pentru ale c\u0103rei bilete peste 3000 de oameni au stat la coad\u0103, at\u00e2t fizic, c\u00e2t \u0219i \u00een online. 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