{"id":222052,"date":"2026-10-09T11:57:00","date_gmt":"2026-10-09T08:57:00","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=222052"},"modified":"2026-10-09T23:07:50","modified_gmt":"2026-10-09T20:07:50","slug":"rcw-x-bucharest-2026-s-a-incheiat-cu-seara-dedicata-marilor-designeri-romani","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/rcw-x-bucharest-2026-s-a-incheiat-cu-seara-dedicata-marilor-designeri-romani\/","title":{"rendered":"RCW X Bucharest 2026 s-a \u00eencheiat cu seara dedicat\u0103 marilor designeri rom\u00e2ni"},"content":{"rendered":"\n

M\u0103tase fluid\u0103, organza, catifea, pene, construc\u021bii vestimentare \u00eendr\u0103zne\u021be \u0219i simboluri tradi\u021bionale reinterpretate au \u00eencheiat joi RCW X Bucharest 2026, c\u00e2nd a avut loc o sear\u0103 dedicat\u0103 integral Romanian Designers, sec\u021biunea curatoriat\u0103 de Ovidiu Buta. <\/strong><\/p>\n\n\n\n

Studiourile TVR au fost pline de spectatori veni\u021bi s\u0103 descopere colec\u021biile prim\u0103var\u0103-var\u0103 2027, \u00een ultima sear\u0103 a evenimentului desf\u0103\u0219urat sub \u00cenaltul Patronaj al Administra\u021biei Preziden\u021biale.<\/strong><\/p>\n\n\n\n

Cu 28 de creatori, un num\u0103r-record pentru Romanian Fashion Week, edi\u021bia din acest an a adus pe acela\u0219i podium genera\u021bii \u0219i viziuni estetice diferite. Dup\u0103 seara de miercuri, care a reunit New Wave \u0219i primele trei prezent\u0103ri Romanian Designers, joi, 8 octombrie, scena le-a apar\u021binut exclusiv designerilor din sec\u021biunea curatoriat\u0103 de Ovidiu Buta.<\/p>\n\n\n\n

\u201eCred c\u0103 unul dintre cele mai importante lucruri pe care le arat\u0103 aceast\u0103 edi\u021bie este libertatea cu care designerii rom\u00e2ni \u00ee\u0219i construiesc ast\u0103zi colec\u021biile. <\/strong><\/p>\n\n\n\n

Vedem o feminitate exprimat\u0103 \u00een forme foarte diferite, de la delicate\u021be \u0219i romantism la for\u021b\u0103 \u0219i asumare, dar \u0219i preocup\u0103ri pentru identitate, memorie, tradi\u021bie sau rela\u021bia dintre corp \u0219i vestimenta\u021bie. <\/p>\n\n\n\n

Sunt creatori care exploreaz\u0103 croiala \u0219i propor\u021biile, care pun materiale aparent incompatibile \u00eempreun\u0103 sau care recupereaz\u0103 simboluri culturale \u0219i le dau o expresie contemporan\u0103. <\/p>\n\n\n\n

Designerii au nevoie de libertate creativ\u0103, dar \u0219i de platforme care s\u0103 le ofere vizibilitate, continuitate \u0219i posibilitatea de a-\u0219i dezvolta brandurile, iar Romanian Fashion Week \u00ee\u0219i asum\u0103 acest rol de aproape trei decenii\u201d, a declarat Ovidiu Buta, curatorul Romanian Designers, potrivit unui comunicat de pres\u0103 al organizatorilor.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: Arta contemporan\u0103 deschide RCW X Bucharest 2026: de la portrete privite prin gaura cheii la sculpturi monumentale \u0219i instala\u021bii interactive<\/a><\/strong><\/p>\n\n\n\n

Romanian Designers la RCW X: feminitate, identitate \u0219i libertate creativ\u0103<\/h2>\n\n\n\n

Pe catwalk-ul Romanian Fashion Week au prezentat, \u00een cea de-a doua sear\u0103, Ramona Bizbac, Ioana Ciolacu, Lena Criveanu, CuAnna, Tudor Hala\u021biu, Maria Marinescu, Pif Stephano, Daniel Radu, Robert Roca \u0219i Sweet Paprika<\/strong>. Colec\u021biile au adus \u00een prim-plan interpret\u0103ri diferite ale feminit\u0103\u021bii, contraste \u00eentre materiale \u0219i volume, referin\u021be culturale \u0219i preocup\u0103ri legate de identitate \u0219i transformare.<\/p>\n\n\n\n

Maria Marinescu<\/strong> a propus o colec\u021bie dedicat\u0103 feminit\u0103\u021bii \u00een expresia sa delicat\u0103. M\u0103tasea fluid\u0103, texturile fine \u0219i nuan\u021bele pastelate au construit o estetic\u0103 luminoas\u0103 \u0219i senzual\u0103. Siluetele au urm\u0103rit firesc linia corpului, \u00eentr-un echilibru \u00eentre elegan\u021b\u0103 \u0219i lejeritate, romantism \u0219i modernitate. Nuan\u021bele pudrate \u0219i delicate\u021bea materialelor au conturat imaginea unei femei sigure pe ea, pentru care feminitatea se exprim\u0103 f\u0103r\u0103 efort.<\/p>\n\n\n\n

La Ioana Ciolacu<\/strong>, controlul a fost \u00eempins inten\u021bionat dincolo de echilibru. Colec\u021bia CONTROL. DISTORSIUNE. TENSIUNE.<\/strong> a pornit de la croieli precise \u0219i siluete re\u021binute, \u00eentrerupte de volume deplasate, volane excesive \u0219i elemente plasate \u00een pozi\u021bii nea\u0219teptate. Tailoringul s-a \u00eent\u00e2lnit cu suprafe\u021be metalice fluide, iar disciplina construc\u021biei cu interven\u021bii instinctive \u0219i stranii. Rezultatul a fost o propunere elegant\u0103, sever\u0103 \u0219i deliberat destabilizat\u0103, \u00een care senzualitatea a c\u0103p\u0103tat forme neconven\u021bionale.<\/p>\n\n\n\n

Sweet Paprika<\/strong> a prezentat Le bal des cygne<\/strong>, o colec\u021bie construit\u0103 \u00een jurul dorin\u021bei de a purta sufletul pe dinafar\u0103. Organza de m\u0103tase, catifeaua de bumbac, penele \u0219i ceramica pictat\u0103 au dat form\u0103 unui bal inspirat de o lume uitat\u0103. \u00cen aceast\u0103 poveste, v\u0103lul cade, iar personajele \u00ee\u0219i dezv\u0103luie adev\u0103rata natur\u0103, asemenea unor lebede care plutesc \u00een timp.<\/p>\n\n\n\n

Cu C\u0102L\u0102UZA<\/strong>, Lena Criveanu<\/strong> a continuat cercetarea simbolurilor tradi\u021bionale rom\u00e2ne\u0219ti \u0219i reinterpretarea lor \u00eentr-un limbaj contemporan. Steaua a devenit elementul central al colec\u021biei, simbol al luminii, al direc\u021biei \u0219i al drumului care se deschide. Culoarea \u0219i referin\u021bele culturale au construit un univers vestimentar inspirat de o urare simpl\u0103: \u201eS\u0103 tr\u0103im, s\u0103 \u00eenflorim \u0219i s\u0103 ne urm\u0103m propria stea!\u201d.<\/p>\n\n\n\n

Daniel Radu<\/strong> a avut ca punct de plecare corpul feminin \u0219i firescul liniei sale. \u021ainutele au fost concepute pentru a urm\u0103ri silueta, f\u0103r\u0103 exces de material, iar contrastul dintre \u021bes\u0103turile sub\u021biri \u0219i elastice \u0219i accesoriile dure din inox a definit colec\u021bia. Propunerea designerului a fost g\u00e2ndit\u0103 ca o declara\u021bie de curaj \u0219i asumare public\u0103.<\/p>\n\n\n\n

\u00cen Structure of Power<\/strong>, Cuanna<\/strong> a reinterpretat codurile clasice ale garderobei masculine printr-o perspectiv\u0103 feminin\u0103. Umerii puternici, croielile precise, volumele \u0219i detaliile aparent nefinisate au exprimat tensiunile dintre identitate, putere \u0219i egalitate. Colec\u021bia a urm\u0103rit trecerea de la construc\u021bie \u0219i conflict c\u0103tre asumare \u0219i libertate, \u00eentr-o viziune \u00een care masculinul \u0219i femininul se completeaz\u0103.<\/p>\n\n\n\n

Pif Stephano<\/strong> a prezentat MONUMENTS<\/strong>, o colec\u021bie despre evolu\u021bie, memorie \u0219i transformare. Fiecare pies\u0103 a reflectat fragmente dintr-un proces artistic aflat \u00een continu\u0103 dezvoltare, iar experien\u021bele acumulate de designer au fost transpuse \u00eentr-o estetic\u0103 ce vorbe\u0219te despre propria maturizare creativ\u0103.<\/p>\n\n\n\n

Pentru Tudor Hala\u021biu<\/strong>, feminitatea contemporan\u0103 a fost explorat\u0103 prin ipostaze care coexist\u0103 \u00een aceea\u0219i identitate. Colec\u021bia a pus \u00een rela\u021bie for\u021ba \u0219i delicate\u021bea, structura \u0219i fluiditatea, folosind contraste de texturi, volume \u0219i siluete. Fiecare \u021binut\u0103 a propus o interpretare a acestor dualit\u0103\u021bi, f\u0103r\u0103 ca una dintre laturi s\u0103 o anuleze pe cealalt\u0103.<\/p>\n\n\n\n

Make-up-ul show-urilor a fost realizat de echipa Lanc\u00f4me, coordonat\u0103 de Alexandru Abagiu, iar hairstylingul a fost asigurat de echipa L\u2019Or\u00e9al Professionnel, coordonat\u0103 de Sorin Stratulat. Romanian Fashion Week a fost sus\u021binut de Ploom, Pepsi, Banca Transilvania, Lanc\u00f4me, L\u2019Or\u00e9al Professionnel \u0219i Jidvei.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: Trei filme despre Rom\u00e2nia celor \u0219ase milioane de oameni pleca\u021bi peste hotare, difuzate la RCW X Bucharest 2026<\/a><\/strong><\/p>\n\n\n\n

Romanian Creative Week revine la Ia\u0219i, \u00eentre 12 \u0219i 23 mai 2027<\/strong><\/h2>\n\n\n\n

Cele dou\u0103 seri Romanian Fashion Week <\/a>au \u00eencheiat capsula RCW X Bucharest 2026, desf\u0103\u0219urat\u0103 \u00een capital\u0103 \u00eentre 2 \u0219i 8 octombrie. <\/strong>Edi\u021bia bucure\u0219tean\u0103 a adus \u00een fa\u021ba publicului proiecte din mai multe domenii creative, de la mod\u0103 \u0219i arte vizuale la design, dans \u0219i \u00eent\u00e2lniri dedicate culturii contemporane.<\/p>\n\n\n\n

Romanian Creative Week, cel mai amplu eveniment din Uniunea European\u0103 din perspectiva num\u0103rului de industrii creative reunite, \u00ee\u0219i va \u00eent\u00e2lni din nou publicul \u00eentre 12 \u0219i 23 mai 2027, la Ia\u0219i.<\/p>\n\n\n\n

\u201eBucure\u0219tiul ne-a primit cu un interes extraordinar, iar aceste \u0219apte zile ne-au confirmat c\u00e2t de important este ca arti\u0219tii, profesioni\u0219tii din industriile creative s\u0103 aib\u0103 ocazia s\u0103 \u00eent\u00e2lneasc\u0103 un public nou. Am adus \u00een capital\u0103 o parte din energia Romanian Creative Week, dar am construit \u0219i proiecte care au prins via\u021b\u0103 aici. <\/p>\n\n\n\n

Le mul\u021bumesc tuturor arti\u0219tilor \u0219i designerilor, partenerilor, sponsorilor, institu\u021biilor culturale, echipelor \u0219i voluntarilor care au f\u0103cut posibil RCW X Bucharest 2026. Mul\u021bumesc, de asemenea, Administra\u021biei Preziden\u021biale pentru \u00cenaltul Patronaj acordat evenimentului, un gest important de recunoa\u0219tere a valorii industriilor creative rom\u00e2ne\u0219ti\u201d, a declarat Irina Schrotter, fondatoarea Romanian Creative Week.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: Num\u0103r record de designeri la Romanian Fashion Week 2026, din genera\u021bii \u0219i curente diferite<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

M\u0103tase fluid\u0103, organza, catifea, pene, construc\u021bii vestimentare \u00eendr\u0103zne\u021be \u0219i simboluri tradi\u021bionale reinterpretate au \u00eencheiat joi RCW X Bucharest 2026, c\u00e2nd a avut loc o sear\u0103 dedicat\u0103 integral Romanian Designers, sec\u021biunea curatoriat\u0103 de Ovidiu Buta. Studiourile TVR au fost pline de spectatori veni\u021bi s\u0103 descopere colec\u021biile prim\u0103var\u0103-var\u0103 2027, \u00een ultima sear\u0103 a evenimentului desf\u0103\u0219urat sub \u00cenaltul […]<\/p>\n","protected":false},"author":60,"featured_media":222053,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":"","_ppma_block_editor_authors":""},"categories":[1,62],"tags":[25513,31301,24052],"ppma_author":[22583],"class_list":["post-222052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diverse","category-stiri","tag-25513","tag-rcw","tag-romanian-creative-week"],"acf":[],"a3_pvc":{"activated":false,"total_views":0,"today_views":0},"yoast_head":"\nRCW X Bucharest 2026 s-a \u00eencheiat cu seara dedicat\u0103 marilor designeri rom\u00e2ni - Buletin de Bucure\u0219ti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/buletin.de\/bucuresti\/rcw-x-bucharest-2026-s-a-incheiat-cu-seara-dedicata-marilor-designeri-romani\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RCW X Bucharest 2026 s-a \u00eencheiat cu seara dedicat\u0103 marilor designeri rom\u00e2ni\" \/>\n<meta property=\"og:description\" content=\"M\u0103tase fluid\u0103, organza, catifea, pene, construc\u021bii vestimentare \u00eendr\u0103zne\u021be \u0219i simboluri tradi\u021bionale reinterpretate au \u00eencheiat joi RCW X Bucharest 2026, c\u00e2nd a avut loc o sear\u0103 dedicat\u0103 integral Romanian Designers, sec\u021biunea curatoriat\u0103 de Ovidiu Buta. 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A fost redactor-\u0219ef al PRESShub \u00eentre 2022 \u0219i iunie 2024. Anterior, a fost redactor-\u0219ef al Newsweek Rom\u00e2nia, din 2018 p\u00e2n\u0103 \u00een 2021, \u0219i al cotidianului Rom\u00e2nia liber\u0103, \u00eentre 2015 \u0219i 2017. Este absolvent de Jurnalism, \u00een cadrul Universit\u0103\u021bii \u201eAl.I.Cuza\u201d din Ia\u0219i, \u0219i a urmat un master \u00een Managementul institu\u021biilor mass-media (f\u0103r\u0103 diserta\u021bie) la Facultatea de Jurnalism \u0219i \u0218tiin\u021bele Comunic\u0103rii din cadrul Universit\u0103\u021bii din Bucure\u0219ti. \u0218i-a \u00eenceput cariera la Opinia studen\u021beasc\u0103, cunoscuta \u0219coal\u0103 de pres\u0103 din Ia\u0219i. A lucrat \u00een presa local\u0103, apoi a devenit corespondent pentru Ia\u0219i al cotidianului Evenimentul Zilei. Din 2004, a coordonat pentru \u0219ase luni sec\u021bia de coresponden\u021bi a Evenimentului Zilei. A mai lucrat la s\u0103pt\u0103m\u00e2nalul Prezent \u0219i a colaborat cu revistele Dilema Veche \u0219i Suplimentul de Cultur\u0103. Este co-autor \u00een volumele \u201eMass-media \u0219i democra\u021bia \u00een Rom\u00e2nia post-comunist\u0103\u201d (ed. a II-a), Ed. Institutul European, Ia\u0219i, 2013, \u0219i \u201eCOVID - 19. Dimensiuni ale gestionarii pandemiei\u201d, Editura Junimea, Ia\u0219i, 2020.","url":"https:\/\/buletin.de\/bucuresti\/author\/razvan-chiruta\/"}]}},"authors":[{"term_id":22583,"user_id":1,"is_guest":0,"slug":"adminbuletin","display_name":"Redac\u021bia Buletin de Bucure\u0219ti","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/18c5342381ed1a08620e6280424e3e5efc958618f5d67c522c9e44c1bc6f9226?s=96&d=monsterid&r=g","author_category":"","first_name":"Redac\u021bia Buletin de Bucure\u0219ti","last_name":"","user_url":"","job_title":"","description":"Buletin de Bucure\u0219ti exist\u0103 din vara anului 2019."}],"_links":{"self":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts\/222052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/comments?post=222052"}],"version-history":[{"count":3,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts\/222052\/revisions"}],"predecessor-version":[{"id":222057,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts\/222052\/revisions\/222057"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/media\/222053"}],"wp:attachment":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/media?parent=222052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/categories?post=222052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/tags?post=222052"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/ppma_author?post=222052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}