{"id":221213,"date":"2026-10-05T14:25:54","date_gmt":"2026-10-05T11:25:54","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=221213"},"modified":"2026-10-05T14:40:47","modified_gmt":"2026-10-05T11:40:47","slug":"concursul-international-george-enescu-2026-o-editie-cu-recorduri-cel-mai-tanar-castigator-din-istorie-cei-mai-multi-participanti-formate-in-premiera","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/concursul-international-george-enescu-2026-o-editie-cu-recorduri-cel-mai-tanar-castigator-din-istorie-cei-mai-multi-participanti-formate-in-premiera\/","title":{"rendered":"Concursul Interna\u021bional George Enescu 2026: o edi\u021bie cu recorduri: cel mai t\u00e2n\u0103r c\u0103\u0219tig\u0103tor din istorie, cei mai mul\u021bi participan\u021bi, formate \u00een premier\u0103"},"content":{"rendered":"\n

La dou\u0103 s\u0103pt\u0103m\u00e2ni de la \u00eencheierea Concursului Interna\u021bional George Enescu 2026, edi\u021bie aniversar\u0103 desf\u0103\u0219urat\u0103 la Bucure\u0219ti \u00eentre 23 august \u0219i 19 septembrie 2026, sub tema \u201e\u00cen c\u0103utarea excelen\u021bei \/ In Pursuit of Excellence\u201d, bilan\u021bul confirm\u0103 amploarea \u0219i relevan\u021ba sa interna\u021bional\u0103.<\/strong><\/p>\n\n\n\n

Un num\u0103r-record de 819 tineri muzicieni din 58 de \u021b\u0103ri \u0219i teritorii s-au \u00eenscris la Concurs \u0219i la programul de masterclassuri, iar 150 de concuren\u021bi au fost selecta\u021bi pentru a participa la cele trei sec\u021biuni instrumentale: Violoncel, Vioar\u0103 \u0219i Pian. <\/strong><\/p>\n\n\n\n

Buletin de Bucure\u0219ti este partener media al Concursului Interna\u021bional George Enescu 2026<\/strong>.<\/mark><\/p>\n\n\n\n

Concursul Interna\u021bional George Enescu 2026 s-a deschis pe 23 august, la Ateneul Rom\u00e2n, cu un concert sus\u021binut de Orchestra Na\u021bional\u0103 Radio<\/strong>, sub bagheta lui Cristian M\u0103celaru, directorul artistic al Festivalului \u0219i Concursului Interna\u021bional George Enescu<\/strong>, av\u00e2ndu-i ca soli\u0219ti pe laurea\u021bii edi\u021biei 2024 \u2013 violonista Mayumi Kanagawa<\/strong>, violoncelistul Yo Kitamura<\/strong> \u0219i pianistul Roman Lopatynskyi<\/strong>. <\/p>\n\n\n\n

Programul a inclus The Stone and the Ivy<\/em> de Diego Santamaria<\/strong>, lucrare distins\u0103 cu Premiul pentru Originalitate la edi\u021bia 2024, Brahmsodia \u2013 Triplu concert pentru vioar\u0103, violoncel, pian \u0219i orchestr\u0103 op. 169<\/em> de Dan Dediu<\/strong> \u0219i Simfonia nr. 1 \u00een Mi bemol major, op. 13<\/strong> de George Enescu.<\/p>\n\n\n\n

La finalul celor trei sec\u021biuni instrumentale, Samuel Niederhauser<\/strong> (28 de ani) a c\u00e2\u0219tigat Premiul I la Violoncel, Jayden King,<\/strong> \u00een v\u00e2rst\u0103 de numai 11 ani, a c\u00e2\u0219tigat Premiul I la Vioar\u0103, iar Jeongwoo Lee<\/strong>, \u00een v\u00e2rst\u0103 de 18 ani, a devenit c\u00e2\u0219tig\u0103torul Sec\u021biunii Pian.<\/p>\n\n\n\n

Samuel Niederhauser<\/strong>\u00a0a ob\u021binut, de asemenea, Premiul Publicului \u0219i Premiul pentru cea mai bun\u0103 interpretare a lucr\u0103rii impuse,\u00a0Waves of Gravel<\/em>\u00a0de Malika Kishino. La Vioar\u0103,\u00a0Jayden King<\/strong>\u00a0a primit, al\u0103turi de Premiul I, Premiul Publicului \u0219i Premiul pentru cea mai bun\u0103 interpretare a lucr\u0103rii impuse,\u00a0Still Life with Fallen Stone<\/em>\u00a0de Lembit Beecher, a transmis Artexim, organizatorul evenimentului, \u00eentr-un comunicat de pres\u0103.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: INTERVIU | Dana Bor\u0219an, membr\u0103 a juriului sec\u021biunii Pian, Concursul Enescu 2026: \u201eOb\u021binerea unui premiu nu garanteaz\u0103 o mare carier\u0103. Dar este din ce \u00een ce mai greu s\u0103 faci carier\u0103 f\u0103r\u0103 s\u0103 ai un premiu\u201d<\/a><\/strong><\/p>\n\n\n\n

Jeongwoo Lee, cel mai t\u00e2n\u0103r c\u00e2\u0219tig\u0103tor din istorie, a ob\u021binut \u0219i cinci premii speciale la Enescu 2026<\/h2>\n\n\n\n

Finala de Pian a eviden\u021biat parcursul excep\u021bional al lui Jeongwoo Lee<\/strong> care a ob\u021binut, pe l\u00e2ng\u0103 Premiul I, cinci premii speciale<\/strong> \u2013 Premiul \u201eRadu Lupu\u201d pentru cea mai bun\u0103 interpretare a unei lucr\u0103ri de George Enescu, Premiul pentru cea mai bun\u0103 interpretare a lucr\u0103rii impuse, Hammers and Tongs<\/em> de Karim Al-Zand, Premiul Publicului, Premiul \u201ePlaying for Tomorrow\u201d, oferit de BRD \u2013 Groupe Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, \u0219i Premiul \u00c9cole Cortot, care \u00eei ofer\u0103 posibilitatea de a sus\u021bine un recital la Salle Cortot din Paris \u00een stagiunea 2028\u20132029.<\/p>\n\n\n\n

Premiul al II-lea al Sec\u021biunii Violoncel i-a revenit lui Joshua Kov\u00e1\u010d<\/strong> (19 ani), iar Premiul al III-lea lui Sanghyeok Park<\/strong> (22 de ani). La Vioar\u0103, Francesco Papa<\/strong> (20 de ani) a ob\u021binut Premiul al II-lea, iar Eun Che Kim<\/strong> (28 de ani) Premiul al III-lea. La Pian, Premiul al II-lea a fost c\u00e2\u0219tigat de Yiming Guo<\/strong> (24 de ani), iar Premiul al III-lea de Pin-Hong Lin<\/strong> (25 de ani). <\/p>\n\n\n\n

Sec\u021biunea Compozi\u021bie<\/strong> \u0219i-a desemnat, la r\u00e2ndul s\u0103u, laurea\u021bii edi\u021biei 2026. Jinhan Xiao<\/strong> (26 de ani) a c\u00e2\u0219tigat Premiul pentru Muzic\u0103 simfonic\u0103, pentru lucrarea Quadruple Blue: Four Odes to the Abyssal Seas<\/em>, iar Adrien Sassier<\/strong> (29 de ani) a ob\u021binut Premiul pentru Muzic\u0103 de camer\u0103, pentru Les Ailes du D\u00e9sespoir<\/em>, precum \u0219i Premiul pentru Originalitate, pentru lucrarea R\u00eaves en Fleur<\/em>. Una dintre cele trei lucr\u0103ri premiate va fi interpretat\u0103 \u00een deschiderea urm\u0103toarei edi\u021bii a Concursului Interna\u021bional George Enescu, care va avea loc \u00een 2028.<\/p>\n\n\n\n

Cei 11 laurea\u021bi ai Concursului Interna\u021bional George Enescu, edi\u021bia a XX-a, provin din SUA, Elve\u021bia, Coreea de Sud, Italia, Taiwan, China<\/strong>, Fran\u021ba<\/strong>. <\/p>\n\n\n\n

Nivelul ridicat al concuren\u021bilor sec\u021biunilor instrumentale s-a remarcat pe tot parcursul celor trei s\u0103pt\u0103m\u00e2ni de competi\u021bie, de la primele etape p\u00e2n\u0103 la semifinale \u0219i finale. Dincolo de rezultatele individuale, edi\u021bia 2026 a adus \u00een fa\u021ba publicului o genera\u021bie foarte t\u00e2n\u0103r\u0103 de muzicieni capabili s\u0103 abordeze repertorii complexe, s\u0103 r\u0103spund\u0103 unor formate de concurs noi \u0219i s\u0103 sus\u021bin\u0103 apari\u021bii de mare intensitate artistic\u0103 pe scena Ateneului Rom\u00e2n.<\/strong><\/p>\n\n\n\n

O contribu\u021bie esen\u021bial\u0103 la prestigiul Concursului Enescu o au juriile interna\u021bionale<\/strong>, care reunesc mari arti\u0219ti, profesori ai unor importante institu\u021bii de \u00eenv\u0103\u021b\u0103m\u00e2nt muzical \u0219i personalit\u0103\u021bi care au contribuit, de-a lungul unor cariere prestigioase, la formarea noilor genera\u021bii de muzicieni. \u00cen 2026, cele patru jurii au fost prezidate de pianista Lilya Zilberstein<\/strong>, violoncelistul Arto Noras<\/strong>, violonista Mihaela Martin<\/strong> \u0219i compozitorul \u0219i pianistul Zygmunt Krauze<\/strong>.<\/p>\n\n\n\n

Prezen\u021ba acestor personalit\u0103\u021bi la Bucure\u0219ti dep\u0103\u0219e\u0219te rolul strict al evalu\u0103rii. Pentru tinerii muzicieni, Concursul Enescu \u00eenseamn\u0103 \u0219i posibilitatea de a fi asculta\u021bi de arti\u0219ti, pedagogi dar \u0219i de impresari, manageri \u0219i directori artistici ai unor importante orchestre \u0219i institu\u021bii muzicale interna\u021bionale, de a primi feedback \u0219i de a intra  \u00een contact cu profesioni\u0219ti care le pot influen\u021ba parcursul artistic dincolo de \u00eencheierea competi\u021biei. \u00cent\u00e2lnirea dintre genera\u021bii, \u00eentre arti\u0219ti afla\u021bi la \u00eenceput de drum \u0219i muzicieni care au construit cariere interna\u021bionale importante, r\u0103m\u00e2ne unul dintre atributele fundamentale ale Concursului.<\/p>\n\n\n\n

Edi\u021bia din 2026 a introdus, \u00een premier\u0103, un\u00a0concert dedicat Sec\u021biunii Compozi\u021bie<\/strong>, oferind crea\u021biei contemporane un spa\u021biu distinct \u00een programul Concursului. Sus\u021binut la Ateneul Rom\u00e2n de\u00a0Orchestra Na\u021bional\u0103 Radio<\/strong>, concertul a marcat totodat\u0103 prima apari\u021bie \u00een Rom\u00e2nia a dirijoarei\u00a0Marin Alsop<\/strong>. <\/p>\n\n\n\n

Publicul a ascultat\u00a0Forward Into Light<\/em>\u00a0de\u00a0Sarah Kirkland Snider<\/strong>,\u00a0Urban Ocean<\/em>\u00a0de\u00a0Steven Mackey<\/strong> \u0219i Clocks III<\/em>\u00a0de\u00a0Doina Rotaru<\/strong>, iar compozitorul \u0219i pianistul polonez\u00a0Zygmunt Krauze<\/strong>, pre\u0219edintele juriului Sec\u021biunii Compozi\u021bie, a fost solistul propriului\u00a0Concert pentru pian nr. 3 \u2013 Fragments of Memory<\/em>. Patru voci distincte ale crea\u021biei contemporane mondiale, care au construit astfel un dialog \u00eentre culturi, sensibilit\u0103\u021bi \u0219i limbaje muzicale ale prezentului.<\/p>\n\n\n\n

Concertele simfonice din cadrul Concursului au fost sus\u021binute de patru dintre cele mai importante ansambluri orchestrale rom\u00e2ne\u0219ti: Orchestra Filarmonicii \u201eGeorge Enescu\u201d, Orchestra Na\u021bional\u0103 Radio, Orchestra de Camer\u0103 Radio \u0219i Orchestra Rom\u00e2n\u0103 de Tineret<\/strong>.<\/p>\n\n\n\n

Finalele celor trei sec\u021biuni instrumentale i-au adus la Bucure\u0219ti pe dirijorii Case Scaglione, Harry Ogg \u0219i Daniela Candillari<\/strong>. Case Scaglione a condus Orchestra Na\u021bional\u0103 Radio \u00een Finala de Violoncel, Harry Ogg s-a aflat la pupitrul Orchestrei Filarmonicii \u201eGeorge Enescu\u201d pentru Finala de Vioar\u0103, iar Daniela Candillari a dirijat aceea\u0219i orchestr\u0103 \u00een Finala de Pian.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: Cafeneaua BdB | Cristina Uruc, directorul Artexim: \u201eConcursul Enescu nu este doar o competi\u021bie pe care o c\u00e2\u0219tigi \u0219i r\u0103m\u00e2i anonim\u201d<\/a><\/strong><\/p>\n\n\n\n

Formatul Play & Conduct<\/strong>, o premier\u0103<\/h2>\n\n\n\n

Formatul Play & Conduct<\/strong> a redefinit semifinalele sec\u021biunilor Violoncel, Vioar\u0103 \u0219i Pian, ad\u0103ug\u00e2nd competi\u021biei o prob\u0103 care a testat nu doar virtuozitatea solistic\u0103, ci \u0219i capacitatea concuren\u021bilor de a conduce, asculta \u0219i construi muzical \u00eempreun\u0103 cu orchestra. <\/p>\n\n\n\n

Cei \u0219ase semifinali\u0219ti ai fiec\u0103rei sec\u021biuni au trecut, la Ateneul Rom\u00e2n, prin dou\u0103 probe distincte: interpretarea unei lucr\u0103ri de George Enescu \u0219i o apari\u021bie \u00een calitate de soli\u0219ti, conduc\u00e2nd \u00een acela\u0219i timp\u00a0Orchestra de Camer\u0103 Radio<\/strong>. \u00cen aceast\u0103 formul\u0103, interpretarea individual\u0103 s-a \u00eent\u00e2lnit cu responsabilitatea unei viziuni de ansamblu, cu leadershipul artistic \u0219i cu rela\u021bia direct\u0103 cu orchestra. Pentru probele Play & Conduct, concuren\u021bii au lucrat al\u0103turi de Orchestra de Camer\u0103 Radio \u0219i de concertmae\u0219trii invita\u021bi\u00a0Bogdan Zvori\u0219teanu, Deborah Nem\u021banu<\/strong> \u0219i Sebastian C\u00e2\u0219leanu<\/strong>.<\/p>\n\n\n\n

Formarea tinerilor muzicieni a ocupat un loc important \u00een programul acestei edi\u021bii. \u00centre 24 \u0219i 28 august, Concursul a g\u0103zduit masterclassuri de dirijat, compozi\u021bie \u0219i interpretare<\/strong>, transform\u00e2nd primele zile \u00eentr-un spa\u021biu de \u00eent\u00e2lnire \u0219i lucru \u00eentre tineri muzicieni \u0219i arti\u0219ti consacra\u021bi.<\/p>\n\n\n\n

Cristian M\u0103celaru<\/strong> a sus\u021binut un amplu masterclass de dirijat, cu sesiuni de lucru \u0219i repeti\u021bii cu public la Sala Radio, la care s-a al\u0103turat \u0219i dirijoarea Marin Alsop. \u00cen paralel, a lucrat cu tineri muzicieni de p\u00e2n\u0103 la 25 de ani \u00een cadrul masterclassului de interpretare, dedicat dezvolt\u0103rii artistice \u0219i aprofund\u0103rii repertoriului instrumental. Programul s-a \u00eencheiat pe 28 august cu un concert al Orchestrei Rom\u00e2ne de Tineret<\/strong>, dirijat de Cristian M\u0103celaru \u0219i de trei dintre tinerii dirijori selecta\u021bi dintre participan\u021bii activi la masterclass: Benjamin Draper<\/strong>, Ana Spasovska<\/strong> \u0219i Valentina Paolucci<\/strong>. <\/p>\n\n\n\n

Dimensiunea educa\u021bional\u0103 \u0219i formativ\u0103 a programului dedicat crea\u021biei contemporane s-a concretizat prin \u00eent\u00e2lnirea tinerilor muzicieni cu Sarah Kirkland Snider, Steven Mackey<\/strong> \u0219i Zygmunt Krauze<\/strong>, care au lucrat cu participan\u021bii la masterclassul de compozi\u021bie, coordonat de Dan Dediu<\/strong>. Programul s-a \u00eencheiat cu o prezentare public\u0103 la Ateneul Rom\u00e2n, \u00een care Ansamblul Couleurs<\/strong> a interpretat lucr\u0103rile celor trei compozitori selecta\u021bi \u2013 Jason Kass, Oana Vardianu \u0219i Chloe Chan<\/strong> \u2013 sub conducerea tinerilor dirijori Xiao Geng, Petru Pane \u0219i Dorian Dimitrov<\/strong>, participan\u021bi activi la masterclassul de dirijat sus\u021binut de Cristian M\u0103celaru.<\/p>\n\n\n\n

Masterclassul de compozi\u021bie a inclus \u0219i o mas\u0103 rotund\u0103 care i-a reunit pe to\u021bi cei 11 membri ai juriului pentru un schimb de idei \u0219i perspective asupra compozi\u021biei, \u00eentr-un dialog despre compozi\u021bie, nota\u021bie muzical\u0103, educa\u021bie \u0219i discern\u0103m\u00e2ntul \u00een muzica contemporan\u0103. <\/p>\n\n\n\n

\u0218i la aceast\u0103 edi\u021bie, Concursul Enescu a acordat o aten\u021bie special\u0103 dezvolt\u0103rii personale a tinerilor muzicieni, \u00een paralel cu formarea lor profesional\u0103 \u0219i artistic\u0103. Sesiunile \u201eMindful on Stage\u201d<\/strong>, sus\u021binute de dr. Angelica Postu, au fost dedicate bun\u0103st\u0103rii \u0219i rezilien\u021bei mentale a participan\u021bilor, iar atelierele \u201eThe Art of Presence\u201d<\/strong>, sus\u021binute de Valentina B\u0103in\u021ban, au abordat comunicarea \u0219i prezen\u021ba public\u0103 a artistului. Prin aceste ini\u021biative, Concursul a conturat o perspectiv\u0103 mai ampl\u0103 asupra excelen\u021bei, \u00een care performan\u021ba este \u00eenso\u021bit\u0103 de echilibru, \u00eencredere \u0219i autenticitate.<\/p>\n\n\n\n

Dincolo de competi\u021bie, recitalurile edi\u021biei 2026 au transformat Concursul \u00eentr-o \u00eent\u00e2lnire \u00eentre genera\u021bii \u0219i au fost primite cu un entuziasm deosebit de publicul Ateneului Rom\u00e2n. Pe scen\u0103 au evoluat, \u00eentre al\u021bii,\u00a0Nelson Goerner, Nemanja Radulovi\u0107<\/strong> \u0219i Laure Favre-Kahn<\/strong>,\u00a0Mihaela Martin, Valentin R\u0103du\u021biu, Miguel da Silva<\/strong> \u0219i Enrico Pace<\/strong>,\u00a0Claudio Boh\u00f3rquez<\/strong> \u0219i P\u00e9ter Nagy<\/strong>,\u00a0Marie-Ange Nguci<\/strong> \u0219i Hyeonjeong Lee<\/strong>, precum \u0219i\u00a0Alissa Margulis, Andrey Gugnin<\/strong> \u0219i \u0218tefan Cazacu<\/strong>. <\/p>\n\n\n\n

Prezen\u021ba pe aceea\u0219i scen\u0103 a unor mari muzicieni ai prezentului \u0219i a arti\u0219tilor care au trecut ei \u00een\u0219i\u0219i prin Concurs \u00een edi\u021biile precedente a reafirmat una dintre mizele esen\u021biale ale proiectului:\u00a0 Concursul Enescu nu se \u00eencheie odat\u0103 cu acordarea unui premiu, ci poate deveni un punct de plecare pentru o carier\u0103 interna\u021bional\u0103.<\/strong><\/p>\n\n\n\n

\u00cen 2026, Concursul Enescu \u0219i-a extins prezen\u021ba \u0219i \u00een afara Capitalei, prin recitaluri \u0219i evenimente desf\u0103\u0219urate la\u00a0Sibiu, Constan\u021ba, Reghin \u0219i Br\u0103ila<\/strong>. <\/p>\n\n\n\n

Programul a inclus recitaluri sus\u021binute la Sibiu de\u00a0Nemanja Radulovi\u0107 \u0219i Laure Favre-Kahn<\/strong>,\u00a0Enrico Dindo \u0219i Monica Cattarossi<\/strong>,\u00a0Valentin \u0218erban \u0219i Mihai Diaconescu<\/strong>,\u00a0Daria Parkhomenko<\/strong>,\u00a0Hyeonjeong Lee \u0219i Gabriel G\u00ee\u021ban<\/strong>, iar la Constan\u021ba,\u00a0Raluca \u0218tirb\u0103\u021b<\/strong>\u00a0a sus\u021binut un recital \u0219i un masterclass. Mihaela Martin,<\/strong> pre\u0219edinta juriului Sec\u021biunii Vioar\u0103, a deschis stagiunea Filarmonicii Lyra Cavadia din Br\u0103ila, sub egida Concursului Interna\u021bional George Enescu, unde a interpretat, sub bagheta dirijorului Mihnea Ignat, Concertul nr. 4 \u00een re major pentru vioar\u0103 \u0219i orchestr\u0103, K. 218 de Mozart.\u00a0<\/p>\n\n\n\n

Premiile \u00een bani, a c\u0103ror valoare total\u0103 a dep\u0103\u0219it 150.000 de euro<\/strong>, au fost completate \u00een 2026 de premiile speciale \u0219i oportunit\u0103\u021bi menite s\u0103 transforme succesul ob\u021binut la Bucure\u0219ti \u00eentr-un pas concret \u00een cariera laurea\u021bilor. Recitaluri \u0219i concerte pe scenele celor mai importante Filarmonici din Rom\u00e2nia, distinc\u021bii dedicate interpret\u0103rii muzicii lui George Enescu \u0219i a crea\u021biei contemporane \u0219i premii care sus\u021bin dezvoltarea tinerilor muzicieni extind semnifica\u021bia recompenselor financiare \u0219i creeaz\u0103 continuitate dup\u0103 \u00eencheierea Concursului.<\/p>\n\n\n\n

Premiul\u00a0\u00c9cole Cortot<\/strong>, acordat \u00een 2026 pianistului\u00a0Jeongwoo Lee<\/strong>, este un astfel de exemplu: distinc\u021bia \u00eei ofer\u0103 laureatului posibilitatea de a sus\u021bine un recital la\u00a0Salle Cortot din Paris<\/strong>, \u00een stagiunea 2028\u20132029. <\/p>\n\n\n\n

De asemenea, violoncelistul Samuel Niederhauser<\/strong> va sus\u021bine un recital la Aula Golgi din Pavia, Italia, oferit de Teatrul Fraschini \u00een stagiunea cameral\u0103 dedicat\u0103 c\u00e2\u0219tig\u0103torilor marilor concursuri interna\u021bionale. Premiul \u201eRadu Lupu\u201d, Premiul \u201e\u0218tefan \u0219i Valentin Gheorghiu\u201d, Premiul \u201eConstan\u021ba Erbiceanu\u201d, distinc\u021biile \u201ePlaying for Tomorrow\u201d, Premiile Publicului \u0219i premiile pentru cea mai bun\u0103 interpretare a lucr\u0103rilor contemporane impuse sau a muzicii lui George Enescu configureaz\u0103, \u00eempreun\u0103, un sistem de recunoa\u0219tere care transcende clasamentul final. <\/p>\n\n\n\n

CITE\u0218TE \u0218I: Cafeneaua BdB | Marie-Ange Nguci, membr\u0103 \u00een juriul sec\u021biunii Pian, Concursul Enescu 2026: \u201eUn premiu nu te define\u0219te niciodat\u0103 ca muzician, este doar o poart\u0103 de intrare\u201d<\/a><\/strong><\/p>\n\n\n\n

\u00cen aceast\u0103 perspectiv\u0103,\u00a0premiul devine o form\u0103 de \u00eencredere acordat\u0103 unui artist \u0219i, \u00een unele cazuri, primul pas c\u0103tre o nou\u0103 apari\u021bie pe o scen\u0103 interna\u021bional\u0103.<\/strong><\/p>\n\n\n\n

Sus\u021binerea noilor genera\u021bii de muzicieni este \u0219i una dintre mizele parteneriatelor construite \u00een jurul Concursului Enescu.\u00a0Prin sus\u021binerea Festivalului \u0219i a Concursului Interna\u021bional George Enescu, investim \u00een excelen\u021b\u0103 \u2013 nu doar \u00een excelen\u021ba artistic\u0103, ci \u0219i \u00een educa\u021bie, \u00een tinerele talente \u0219i \u00een consolidarea reputa\u021biei interna\u021bionale a Rom\u00e2niei<\/em>, subliniaz\u0103\u00a0Erik Sagiyev<\/strong>, CEO Rompetrol \u2013 KMG International, partener principal al Festivalului \u0219i Concursului de 17 ani. <\/p>\n\n\n\n

Pentru\u00a0BRD Groupe Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, care sus\u021bine premiile\u00a0\u201ePlaying for Tomorrow\u201d,<\/strong> talentul are nevoie nu doar de recunoa\u0219tere, ci \u0219i de sprijin concret pentru a se dezvolta<\/em>, afirm\u0103\u00a0Flavia Popa<\/strong>, Secretar General BRD Groupe Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, \u00een timp ce\u00a0Edit Tarcolea<\/strong>, Director General Toyota Rom\u00e2nia, vorbe\u0219te despre Concurs ca despre un eveniment care reflect\u0103\u00a0aceea\u0219i aspira\u021bie c\u0103tre excelen\u021b\u0103 \u0219i aceea\u0219i pasiune pentru experien\u021be memorabile<\/em>.<\/p>\n\n\n\n

Edi\u021bia 2026 a Concursului Interna\u021bional George Enescu a beneficiat de oampl\u0103 acoperire TV, radio \u0219i digital\u0103, \u00een Rom\u00e2nia \u0219i la nivel interna\u021bional. Televiziunea Rom\u00e2n\u0103, broadcasterul oficial al Concursului, prin TVR Cultural \u0219i TVR 1<\/strong>, Radio Rom\u00e2nia Muzical<\/strong>, co-produc\u0103tor al evenimentului, platforma interna\u021bional\u0103 medici.tv<\/strong><\/a> \u0219i televiziunea Mezzo<\/strong>, al\u0103turi de transmisiunile online de pe website-ul oficial festivalenescu.ro, au f\u0103cut posibil\u0103 urm\u0103rirea unor momente importante ale competi\u021biei \u0219i programului artistic de c\u0103tre publicul din Rom\u00e2nia \u0219i din str\u0103in\u0103tate. O parte dintre evenimente au intrat, prin Radio Rom\u00e2nia Muzical, \u0219i \u00een circuitul interna\u021bional al European Broadcasting Union \u2013 EBU<\/strong>.<\/p>\n\n\n\n

\u201eUn concurs interna\u021bional de acest nivel este definit deopotriv\u0103 de calitatea concuren\u021bilor \u0219i de personalit\u0103\u021bile c\u0103rora le \u00eencredin\u021b\u0103m responsabilitatea de a-i asculta \u0219i evalua. Am avut la Bucure\u0219ti arti\u0219ti, impresari, manageri de orchestre \u0219i pedagogi extraordinari, cu experien\u021be \u0219i perspective diferite, iar dialogul dintre ei \u0219i aceast\u0103 genera\u021bie foarte t\u00e2n\u0103r\u0103 de muzicieni este una dintre marile valori ale Concursului. <\/p>\n\n\n\n

Nivelul concuren\u021bilor a fost excep\u021bional. Am \u00eent\u00e2lnit arti\u0219ti foarte tineri care au venit la Bucure\u0219ti nu doar cu o preg\u0103tire tehnic\u0103 extraordinar\u0103, ci cu personalitate, curiozitate \u0219i dorin\u021ba de a-\u0219i asuma muzical fiecare apari\u021bie. <\/p>\n\n\n\n

Am construit programul astfel \u00eenc\u00e2t Concursul s\u0103 le cear\u0103 mai mult dec\u00e2t performan\u021b\u0103 instrumental\u0103: s\u0103 c\u00e2nte Enescu, s\u0103 intre \u00een dialog cu muzica contemporan\u0103, s\u0103 lucreze cu orchestra \u0219i, prin formatul Play & Conduct, s\u0103 \u00ee\u0219i asume inclusiv responsabilitatea unei viziuni de ansamblu. Feedbackul primit de la colegii mei \u2013 membri ai juriilor, dirijori \u0219i arti\u0219ti invita\u021bi \u2013 ne-a confirmat calitatea excep\u021bional\u0103 a acestei genera\u021bii. Cred c\u0103 vom re\u00eent\u00e2lni multe dintre numele edi\u021biei 2026 pe marile scene ale lumii\u201d, a declarat Cristian M\u0103celaru<\/strong>, director artistic al Festivalului \u0219i Concursului Interna\u021bional George Enescu 2026.<\/p>\n\n\n\n

Dimensiunea interna\u021bional\u0103 se reflect\u0103 \u0219i \u00een audien\u021ba digital\u0103. \u00cen perioada 23 august – 19 septembrie 2026<\/strong>, website-ul Concursului Interna\u021bional George Enescu a \u00eenregistrat peste 131.000 de utilizatori activi<\/strong>, dintre care aproximativ 38% din afara Rom\u00e2niei<\/strong>. Platforma a fost accesat\u0103 din peste 120 de \u021b\u0103ri \u0219i teritorii<\/strong>. Dup\u0103 Rom\u00e2nia, cei mai mul\u021bi utilizatori au provenit din Statele Unite ale Americii, Coreea de Sud, Germania, Italia, Fran\u021ba, Elve\u021bia, Japonia \u0219i Regatul Unit<\/strong>, confirm\u00e2nd interesul interna\u021bional pentru Concurs \u0219i pentru programul artistic al edi\u021biei. <\/p>\n\n\n\n

Profilul interna\u021bional al edi\u021biei, exprimat prin cei 819 tineri muzicieni \u00eenscri\u0219i din 58 de \u021b\u0103ri \u0219i teritorii, prin componen\u021ba juriilor, arti\u0219tii \u0219i dirijorii invita\u021bi, s-a reg\u0103sit \u0219i \u00een distribu\u021bia global\u0103 a publicului care a urm\u0103rit Concursul.<\/strong><\/p>\n\n\n\n

\u201eLa dou\u0103 s\u0103pt\u0103m\u00e2ni dup\u0103 \u00eencheierea Concursului Enescu, putem privi aceast\u0103 edi\u021bie nu doar prin cifrele-record pe care le-a \u00eenregistrat, ci mai ales prin ceea ce a reu\u0219it s\u0103 construiasc\u0103 la Bucure\u0219ti timp de aproape o lun\u0103. A fost o edi\u021bie complex\u0103, cu un program foarte dens, cu sute de arti\u0219ti, concuren\u021bi, membri ai juriilor \u0219i profesioni\u0219ti implica\u021bi \u0219i cu o logistic\u0103 pe m\u0103sura anvergurii sale interna\u021bionale. <\/p>\n\n\n\n

Faptul c\u0103 toate aceste componente \u2013 competi\u021bia, concertele, masterclassurile, recitalurile, transmisiunile \u0219i noile formate \u2013 au func\u021bionat \u00eempreun\u0103, la standardul pe care ni l-am propus, este rezultatul unei echipe extraordinare \u0219i al colabor\u0103rii cu partenerii no\u0219tri, at\u00e2t din mediul institu\u021bional public, c\u00e2t \u0219i din cel privat. <\/p>\n\n\n\n

Reac\u021biile pe care le-am primit dup\u0103 19 septembrie, din partea arti\u0219tilor \u0219i a jura\u021bilor, \u0219i mai ales din partea concuren\u021bilor \u0219i a publicului, ne confirm\u0103 c\u0103 edi\u021bia 2026 a fost una cu adev\u0103rat special\u0103\u201d, a declarat Cristina Uruc,<\/strong> manager ARTEXIM \u0219i director executiv al\u00a0Festivalului \u0219i Concursului Interna\u021bional George Enescu.<\/p>\n\n\n\n

Edi\u021bia a XX-a a Concursului Interna\u021bional George Enescu a confirmat astfel o viziune mai ampl\u0103 asupra rolului s\u0103u: descoperirea excelen\u021bei, formarea unei noi genera\u021bii de arti\u0219ti \u0219i crearea unor contexte \u00een care tinerii muzicieni pot \u00eent\u00e2lni mari personalit\u0103\u021bi ale lumii muzicale, pot c\u00e2nta al\u0103turi de orchestre \u0219i dirijori importan\u021bi, pot fi asculta\u021bi de profesioni\u0219ti care le pot influen\u021ba parcursul \u0219i pot face pa\u0219i concre\u021bi \u00een dezvoltarea carierei lor.<\/strong><\/p>\n\n\n\n

La finalul edi\u021biei 2026, r\u0103m\u00e2n \u00eent\u00e2lnirile, experien\u021bele \u0219i oportunit\u0103\u021bile care pot influen\u021ba parcursul unui t\u00e2n\u0103r muzician, precum \u0219i o nou\u0103 genera\u021bie de arti\u0219ti pe care Concursul Enescu a adus-o \u00een aten\u021bia lumii muzicale interna\u021bionale.<\/p>\n","protected":false},"excerpt":{"rendered":"

La dou\u0103 s\u0103pt\u0103m\u00e2ni de la \u00eencheierea Concursului Interna\u021bional George Enescu 2026, edi\u021bie aniversar\u0103 desf\u0103\u0219urat\u0103 la Bucure\u0219ti \u00eentre 23 august \u0219i 19 septembrie 2026, sub tema \u201e\u00cen c\u0103utarea excelen\u021bei \/ In Pursuit of Excellence\u201d, bilan\u021bul confirm\u0103 amploarea \u0219i relevan\u021ba sa interna\u021bional\u0103. Un num\u0103r-record de 819 tineri muzicieni din 58 de \u021b\u0103ri \u0219i teritorii s-au \u00eenscris la […]<\/p>\n","protected":false},"author":1,"featured_media":221216,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":"","_ppma_block_editor_authors":""},"categories":[6994,81,62],"tags":[1856,30042,31062,31029],"ppma_author":[22583],"class_list":["post-221213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-2","category-cultura","category-stiri","tag-coreea-de-sud","tag-enescu-2026","tag-jeongwoo-lee","tag-sectiunea-pian"],"acf":[],"a3_pvc":{"activated":false,"total_views":0,"today_views":0},"yoast_head":"\nConcursul Interna\u021bional George Enescu 2026: o edi\u021bie cu recorduri: cel mai t\u00e2n\u0103r c\u0103\u0219tig\u0103tor din istorie, cei mai mul\u021bi participan\u021bi, formate 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