{"id":218767,"date":"2026-09-19T12:45:39","date_gmt":"2026-09-19T09:45:39","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=218767"},"modified":"2026-09-19T12:58:02","modified_gmt":"2026-09-19T09:58:02","slug":"cafeneaua-bdb-marie-ange-nguci-membra-in-juriul-sectiunii-pian-concursul-enescu-2026-un-premiu-nu-te-defineste-niciodata-ca-muzician-este-doar-o-poarta-de-intrare","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/cafeneaua-bdb-marie-ange-nguci-membra-in-juriul-sectiunii-pian-concursul-enescu-2026-un-premiu-nu-te-defineste-niciodata-ca-muzician-este-doar-o-poarta-de-intrare\/","title":{"rendered":"Cafeneaua BdB | Marie-Ange Nguci, membr\u0103 \u00een juriul sec\u021biunii Pian, Concursul Enescu 2026: \u201eUn premiu nu te define\u0219te niciodat\u0103 ca muzician, este doar o poart\u0103 de intrare\u201d"},"content":{"rendered":"\n

Marie-Ange Nguci este cea mai t\u00e2n\u0103r\u0103 membr\u0103 a juriului sec\u021biunii Pian a Concursului Interna\u021bional George Enescu 2026, dar \u00een ciuda acestui lucru are o experien\u021b\u0103 consistent\u0103 at\u00e2t ca muzician, c\u00e2t \u0219i ca dirijor. <\/strong><\/p>\n\n\n\n

N\u0103scut\u0103 \u00een 1997, a intrat la Conservatorul Na\u021bional Superior de Muzic\u0103 din Paris la doar 13 ani \u0219i a lucrat cu unul dintre cei mai mari profesori ai lumii, Nicholas Angelich. A c\u00e2\u0219tigat primul ei concurs important la 14 ani, iar de atunci a concertat pe scene de prestigiu din Europa \u0219i Statele Unite. Are un doctorat \u00een muzic\u0103 \u00een curs \u0219i a studiat \u0219i dirijat orchestral, la Viena.<\/p>\n\n\n\n

\u00cen interviul oferit Buletin de Bucure\u0219ti, Marie-Ange Nguci vorbe\u0219te despre identitatea ei dubl\u0103, albanez\u0103 prin na\u0219tere \u0219i francez\u0103 prin educa\u021bie, despre influen\u021ba decisiv\u0103 a fostului ei profesor, de la care spune c\u0103 a mo\u0219tenit nu doar o baz\u0103 muzical\u0103, ci \u0219i o perspectiv\u0103 uman\u0103.<\/strong><\/p>\n\n\n\n

Fiind mai apropiat\u0103 ca v\u00e2rst\u0103 de concuren\u021bi, Marie-Ange Nguci a explicat c\u0103 are empatie fa\u021b\u0103 de ace\u0219tia, \u00een condi\u021biile \u00een care \u00een\u021belege mai bine cum arat\u0103 industria muzical\u0103 pentru genera\u021bia ei. \u201eIndustria muzical\u0103 s-a schimbat mult, lumea a evoluat, iar cineva care \u0219i-a \u00eenceput cariera \u00een urm\u0103 cu patruzeci de ani nu a trebuit s\u0103 \u00eenfrunte acelea\u0219i provoc\u0103ri pe care le \u00eenfrunt\u0103 ast\u0103zi un t\u00e2n\u0103r interpret\u201d, a declarat t\u00e2n\u0103ra pianist\u0103.<\/p>\n\n\n\n

\u00cen discu\u021bia cu Buletin de Bucure\u0219ti<\/strong>, Marie-Ange Nguci remarc\u0103 faptul c\u0103 un concurs este doar \u201eun instantaneu\u201d, nu o defini\u021bie a valorii unui muzician, iar c\u00e2\u0219tigarea unui premiu nu este o realizare suprem\u0103, ci o poart\u0103 de intrare spre oportunit\u0103\u021bi, miza real\u0103 fiind traiectoria pe termen lung, nu rezultatul imediat.

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Buletin de Bucure\u0219ti: V-a\u021bi n\u0103scut \u00een Albania, apoi v-a\u021bi mutat \u00een Fran\u021ba pentru a continua studiile muzicale. Cum a\u021bi descrie aceast\u0103 identitate dubl\u0103, franco-albanez\u0103? Ce a\u021bi p\u0103strat din copil\u0103ria petrecut\u0103 \u00een Albania?<\/strong><\/p>\n\n\n\n

Marie-Ange Nguci: <\/strong>Cred c\u0103 este o \u00eentrebare foarte interesant\u0103, pentru c\u0103 suntem to\u021bi produsul experien\u021belor noastre, p\u0103str\u0103m lucrurile importante din r\u0103d\u0103cinile noastre, dar p\u0103str\u0103m \u0219i c\u00e2te pu\u021bin din fiecare loc prin care am trecut, din fiecare \u00eent\u00e2lnire. <\/p>\n\n\n\n

Am avut norocul s\u0103 lucrez \u00een Fran\u021ba, la Paris, \u0219i asta mi-a deschis un capitol nou \u0219i interesant \u00een muzica francez\u0103, \u00een cultura francez\u0103, at\u00e2t din perspectiva celui care ascult\u0103 muzic\u0103, dar mai ales a celui care compune muzic\u0103, ceea ce a fost foarte interesant. Am avut ocazia s\u0103 studiez \u0219i la Viena, \u0219i \u00een Statele Unite. <\/p>\n\n\n\n

Prin urmare, cred c\u0103 ducem mereu cu noi o mic\u0103 bucat\u0103 din locurile \u00een care am studiat, din \u021b\u0103rile \u00een care am tr\u0103it, r\u0103m\u00e2n\u00e2nd, \u00een acela\u0219i timp, foarte lega\u021bi de r\u0103d\u0103cinile noastre, pentru c\u0103 acolo este sursa, acolo este s\u0103m\u00e2n\u021ba plantat\u0103 la \u00eenceput, pe care ajungem s-o dezvolt\u0103m de-a lungul vie\u021bii.<\/p>\n\n\n\n

La doar 13 ani, a\u021bi fost admis\u0103 la Conservatorul din Paris, la clasa lui Nicholas Angelich. Ce a \u00eensemnat pentru dumneavoastr\u0103 s\u0103 fi\u021bi eleva unui asemenea maestru la o v\u00e2rst\u0103 at\u00e2t de fraged\u0103?<\/strong><\/p>\n\n\n\n

A fost una dintre cele mai inspirante experien\u021be \u0219i o oportunitate special\u0103 pe care am avut-o \u00een toat\u0103 via\u021ba mea muzical\u0103. A contat enorm pentru mine \u0219i m-a inspirat foarte mult, nu doar din punct de vedere muzical, ci \u0219i din punct de vedere uman. Ca om, Nicholas Angelich<\/a> a fost o persoan\u0103 excep\u021bional\u0103. At\u00e2t vorbele lui, c\u00e2t \u0219i t\u0103cerile lui, \u0219i muzica mi-au transmis mereu ceva foarte special. Dar \u0219i povestea uman\u0103, la fel. Am fost, \u0219i sunt \u0219i ast\u0103zi, profund inspirat\u0103 de amintirile din acea perioad\u0103, ceva ce port mereu cu mine.<\/p>\n\n\n\n

Ce a\u021bi p\u0103strat din \u00eendrum\u0103rile pe care le-a\u021bi primit de la Nicholas Angelich<\/strong>? Ce aplica\u021bi, ast\u0103zi, \u00een muzica dumneavoastr\u0103?<\/strong><\/p>\n\n\n\n

\u0218tim mereu unde sunt aceste lucruri frumoase, sim\u021bim c\u0103 le p\u0103str\u0103m pe toate, ne inspir\u0103m din ele \u0219i apoi le facem ale noastre. N-a\u0219 fi aceea\u0219i muzician\u0103 ast\u0103zi f\u0103r\u0103 \u00eendrumarea lui Nicholas <\/strong>Angelich \u0219i \u00eei datorez absolut tot ce-mi pot imagina. De-a lungul anilor, am \u00eencercat s\u0103 fac din asta o parte din ceea ce sunt \u0219i s-o folosesc, cum spuneam, ca baz\u0103 pentru muzica mea. Dar \u0219i, cum spuneam, la un nivel mai uman.<\/p>\n\n\n\n

Sunte\u021bi cel mai t\u00e2n\u0103r membru al juriului Sec\u021biunii Pian de la edi\u021bia 2026 a Concursului Enescu. Cum este s\u0103 evalua\u021bi concuren\u021bi care sunt, \u00eentr-un fel, apropia\u021bi de genera\u021bia dumneavoastr\u0103, cu o diferen\u021b\u0103 de v\u00e2rst\u0103 mult mai mic\u0103 dec\u00e2t fa\u021b\u0103 de ceilal\u021bi membri ai juriului?<\/strong><\/p>\n\n\n\n

Da, este o situa\u021bie special\u0103 \u0219i sunt extrem de recunosc\u0103toare pentru asta. Apreciez acest lucru la Concursul Enescu, c\u0103 organizatorii \u00eencearc\u0103 s\u0103 creeze cu adev\u0103rat jurii eclectice, \u00een sensul cel mai bun al cuv\u00e2ntului, cu membri foarte experimenta\u021bi, consacra\u021bi, dar \u0219i cu tineri ca mine. Sunt, de asemenea, reprezentan\u021bi foarte interesan\u021bi ai industriei muzicale, programatori, directori, agen\u021bi. Cred c\u0103 asta aduce un spectru foarte larg de viziune \u0219i de percep\u021bie asupra a ceea ce \u00eenseamn\u0103, ast\u0103zi, s\u0103 fii nu doar pianist, ci \u0219i un artist complet. <\/p>\n\n\n\n

Pentru mine este foarte interesant, pentru c\u0103, venind din genera\u021bia concuren\u021bilor, m\u0103 identific foarte mult cu ei, m\u0103 simt mult mai apropiat\u0103 de ei, empatia este diferit\u0103 atunci c\u00e2nd cineva este mai apropiat ca v\u00e2rst\u0103 de tine. <\/p>\n\n\n\n

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Industria muzical\u0103 s-a schimbat mult, lumea a evoluat, iar cineva care \u0219i-a \u00eenceput cariera \u00een urm\u0103 cu patruzeci de ani nu a trebuit s\u0103 \u00eenfrunte acelea\u0219i provoc\u0103ri pe care le \u00eenfrunt\u0103 ast\u0103zi un t\u00e2n\u0103r interpret. <\/p>\n<\/blockquote>\n\n\n\n

Trec\u00e2nd eu \u00eens\u0103mi prin ace\u0219ti pa\u0219i recent \u0219i navig\u00e2nd prin lumea muzical\u0103 de ast\u0103zi, am avantajul de a le transmite o abordare foarte practic\u0103 cu privire la ceea ce \u00eenseamn\u0103 s\u0103 fii muzician \u00een prezent. \u0218i este o experien\u021b\u0103 pe care sunt fericit\u0103 s-o pot \u00eemp\u0103rt\u0103\u0219i \u0219i s-o transmit mai departe.<\/p>\n\n\n\n

Crede\u021bi c\u0103 este mai greu s\u0103 fii muzician ast\u0103zi dec\u00e2t \u00een trecut?<\/strong><\/p>\n\n\n\n

Nu. Cred doar c\u0103 este foarte diferit, este un proces foarte diferit. Pentru c\u0103 acum avem un acces mult mai mare la mass media \u0219i social media, este o abordare foarte diferit\u0103, nu sunt acelea\u0219i provoc\u0103ri, nu se cer acelea\u0219i lucruri de la un t\u00e2n\u0103r muzician.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: 819 tineri din 58 de \u021b\u0103ri s-au \u00eenscris la Concursul Enescu 2026. Dublu record istoric la edi\u021bia aniversar\u0103 <\/a><\/strong><\/p>\n\n\n\n

Totu\u0219i, ast\u0103zi este mai u\u0219or s\u0103 c\u0103l\u0103tore\u0219ti, s\u0103 participi la concursuri interna\u021bionale. De exemplu, la edi\u021bia de anul acesta a Concursului Enescu, a fost un record de concuren\u021bi, peste 800 din 58 de \u021b\u0103ri. Cred c\u0103 \u0103sta poate fi un avantaj al lumii actuale: po\u021bi c\u0103l\u0103tori mult mai u\u0219or dec\u00e2t \u00een urm\u0103 cu 40 de ani, c\u00e2nd \u021b\u0103ri ca ale noastre, Rom\u00e2nia \u0219i Albania, din blocul sovietic de odinioar\u0103, erau \u00eenchise. Acum sunt mai multe oportunit\u0103\u021bi.<\/strong><\/p>\n\n\n\n

Da, este absolut adev\u0103rat c\u0103 sunt mult mai multe oportunit\u0103\u021bi \u0219i c\u0103 exist\u0103 un acces mult mai mare la informa\u021bie. \u00cenainte, ca s\u0103 cau\u021bi informa\u021bii despre un compozitor, de exemplu, trebuia s\u0103 te duci la bibliotec\u0103, s\u0103 g\u0103se\u0219ti cartea potrivit\u0103, s-o cite\u0219ti. Acum ai motoare de c\u0103utare extraordinare, internetul, YouTube. <\/p>\n\n\n\n

\u00cenainte, trebuia s\u0103 te duci la un magazin de discuri \u0219i poate s\u0103-\u021bi permi\u021bi un CD sau maximum dou\u0103, iar acum ape\u0219i pe YouTube sau pe Spotify \u0219i ai acces nelimitat la informa\u021bie, la alte interpret\u0103ri, la tradi\u021bie, la repertoriu, nu doar la muzic\u0103 de pian sau orchestral\u0103, ci \u0219i la arte, \u00een general. <\/p>\n\n\n\n

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Exist\u0103 o disponibilitate incredibil\u0103 de con\u021binut \u0219i pentru mine asta este absolut fascinant, \u00ee\u021bi d\u0103 \u0219ansa s\u0103 faci ceva bun din toat\u0103 aceast\u0103 informa\u021bie.<\/p>\n<\/blockquote>\n\n\n\n

Suntem la finalul Concursului Enescu de anul acesta. Cum evalua\u021bi nivelul concuren\u021bilor de la sec\u021biunea Pian?<\/strong><\/p>\n\n\n\n

Nivelul a fost foarte ridicat, \u0219i, mai ales, cred c\u0103 fiecare a adus propria lui voce. Fiecare a devenit o pies\u0103, o mic\u0103 bucat\u0103 dintr-un puzzle mare care este concursul \u00een \u00eentregime, ca un eveniment mare, nu doar ca ceva competitiv, ca o \u00eent\u00e2mplare global\u0103, desf\u0103\u0219urat\u0103 pe parcursul a o s\u0103pt\u0103m\u00e2n\u0103 \u0219i jum\u0103tate. <\/p>\n\n\n\n

Am fost impresionat\u0103 s\u0103 v\u0103d c\u0103 de la o v\u00e2rst\u0103 foarte mic\u0103 concuren\u021bii au deja propria imagine, propria voce, propria personalitate, propria prezen\u021b\u0103, a fost foarte emo\u021bionant s\u0103 v\u0103d asta.<\/p>\n\n\n\n

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Cine este Marie-Ange Nguci<\/h2>\n\n\n\n

Pianista Marie-Ange Nguci s-a impus ca una dintre cele mai importante tinere soliste ale momentului, captiv\u00e2nd publicul cu abordarea arhitectural\u0103 \u0219i puterea vizionar\u0103 a interpret\u0103rilor sale.<\/p>\n\n\n\n

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Marie-Ange Nguci. Foto: Caroline Doutre<\/figcaption><\/figure>\n\n\n\n

Anul acesta, Marie-Ange Nguci a fost numit\u0103 artist\u0103 \u00een reziden\u021b\u0103 la Radio France, ap\u0103r\u00e2nd al\u0103turi de Orchestre Philharmonique de Radio France \u0219i Orchestre National de France, sub bagheta dirijorilor Cristian M\u0103celaru \u0219i Simone Young, \u0219i prezent\u00e2nd recitaluri \u0219i programe de muzic\u0103 de camer\u0103 pe tot parcursul anului.<\/p>\n<\/div><\/div>\n\n\n\n

\u00cen ultimii ani, Marie-Ange Nguci a interpretat un repertoriu extins al\u0103turi de orchestre de renume precum NHK Symphony Orchestra, Rotterdam Philharmonic Orchestra, Konzerthausorchester Berlin, Orchestre de Paris, BBC Symphony Orchestra, Sydney Symphony Orchestra, lucr\u00e2nd cu dirijori precum Paavo J\u00e4rvi, Fabio Luisi, St\u00e9phane Den\u00e8ve, Alan Gilbert, Mirga Gra\u017einyt\u0117-Tyla.<\/p>\n\n\n\n

\u00cen Fran\u021ba, colaboreaz\u0103 regulat cu ansambluri precum Orchestre de Chambre de Paris, Orchestre National de Lyon \u0219i Orchestre Philharmonique de Strasbourg. De asemenea, a fost numit\u0103 artist\u0103 \u00een reziden\u021b\u0103 al Orchestrei Simfonice din Basel pentru sezonul 2023-2024 \u0219i a fost artist asociat al Filarmonicii Arturo Toscanini din Parma.<\/p>\n\n\n\n

Dup\u0103 un debut unanim aclamat de pres\u0103 la prestigiosul Festival de la Roque d’Anth\u00e9ron, Marie-Ange Nguci a fost din ce \u00een ce mai des v\u0103zut\u0103 dirij\u00e2nd sau realiz\u00e2nd conducerea muzical\u0103 de la pian \u2013 o abordare bazat\u0103 pe colaborare \u0219i un format de concert care \u00eei sunt dragi \u0219i se potrivesc personalit\u0103\u021bii sale artistice.<\/p>\n\n\n\n

Crescut\u0103 \u00een Albania, Marie-Ange a fost admis\u0103 la Conservatorul din Paris la v\u00e2rsta de 13 ani, la clasa lui Nicholas Angelich. A studiat dirijatul orchestral la Universitatea de Muzic\u0103 \u0219i Artele Spectacolului din Viena \u0219i, la v\u00e2rsta de 18 ani, a fost admis\u0103 la studii doctorale \u00een muzic\u0103 la Universitatea din New York. De\u021bine, de asemenea, un master \u00een management cultural. (sursa<\/a>)<\/p>\n<\/div><\/div>\n\n\n\n

Crede\u021bi c\u0103 un concurs de acest fel poate \u0219i s\u0103 fac\u0103 r\u0103u unui t\u00e2n\u0103r muzician? Crede\u021bi c\u0103 stresul sau dezam\u0103girea de a pierde le poate afecta evolu\u021bia<\/strong>?<\/p>\n\n\n\n

Dpinde foarte mult, cum spuneam, de accesul la cultur\u0103 \u0219i la mass-media. O competi\u021bie este un instrument \u0219i ce conteaz\u0103 este ce faci cu acest instrument, cum \u00eel faci al t\u0103u. <\/p>\n\n\n\n

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Cred c\u0103 atunci c\u00e2nd intri \u00eentr-un \u00dfconcurs, ar trebui s\u0103 fii preg\u0103tit, mental, s\u0103-\u021bi \u00eenfrun\u021bi fricile, s\u0103-\u021bi \u00eenfrun\u021bi emo\u021biile \u0219i, \u00een cele din urm\u0103, s\u0103 faci fa\u021b\u0103 at\u00e2t succesului, c\u00e2t \u0219i respingerii. <\/p>\n<\/blockquote>\n\n\n\n

Dar, pentru mine, un concurs este ca un instantaneu, un moment foarte scurt, care nu te poate defini, cu adev\u0103rat, ca muzician la nivel global. Chiar dac\u0103 iei un premiu la un concurs, nu este o realizare suprem\u0103, ci doar o poart\u0103 de intrare c\u0103tre altceva, c\u0103tre oportunit\u0103\u021bile care \u00ee\u021bi sunt oferite ca urmare a respectivului premiu. <\/p>\n\n\n\n

Nu este vorba, exclusiv, despre a fi cel mai bun muzician de ast\u0103zi, ci despre a deveni cel mai bun artist peste treizeci sau patruzeci de ani. <\/p>\n\n\n\n

Pentru mine \u0103sta este lucrul cel mai interesant c\u00e2nd vine vorba de arti\u0219ti, nu doar rezultatul imediat, ci \u0219i traiectoria. Concursurile sunt extraordinare prin faptul c\u0103 \u00ee\u021bi permit s\u0103 fii auzit, s\u0103 fii v\u0103zut, sunt o platform\u0103 prin care oamenii ajung s\u0103 te cunoasc\u0103, s\u0103 \u0219tie cine e\u0219ti. \u0218i felul \u00een care gestionezi sentimentele care vin cu asta este, la r\u00e2ndul s\u0103u, ceva ce se schimb\u0103 odat\u0103 cu experien\u021ba, \u0219i ceva care te poate ajuta s\u0103 \u00een\u021belegi \u0219i s\u0103 cre\u0219ti mult.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: INTERVIU | Dana Bor\u0219an, membr\u0103 a juriului sec\u021biunii pian, Concursul Enescu 2026: \u201eOb\u021binerea unui premiu nu garanteaz\u0103 o mare carier\u0103. Dar este din ce \u00een ce mai greu s\u0103 faci carier\u0103 f\u0103r\u0103 s\u0103 ai un premiu\u201d<\/a><\/strong><\/p>\n\n\n\n

O alt\u0103 membr\u0103 a juriului sec\u021biunii Pian, Dana Bor\u0219an, mi-a declarat c\u0103 simte c\u0103, \u00een lumea de ast\u0103zi, este foarte greu s\u0103 faci o carier\u0103 de muzician de nivel \u00eenalt f\u0103r\u0103 s\u0103 c\u00e2\u0219tigi o competi\u021bie interna\u021bional\u0103. Sunte\u021bi de acord cu aceast\u0103 idee?<\/strong><\/p>\n\n\n\n

Depinde foarte mult ce faci cu premiul ob\u021binut. Cred c\u0103 tocmai am ie\u0219it dintr-un deceniu de hiper-specializare, \u00een care trebuia s\u0103 te specializezi \u00eentr-o singur\u0103 zon\u0103 \u0219i s\u0103 devii un fel de reper \u00een repertoriul sau formatul ales. Acum, avem nevoie de arti\u0219ti polivalen\u021bi, comple\u021bi, \u0219i mult mai disponibili, uneori \u00een timp scurt, pentru spectacole cu pu\u021bine repeti\u021bii sau cu un repertoriu foarte diferit. <\/p>\n\n\n\n

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\u00cen plus, dac\u0103 c\u00e2n\u021bi un anumit repertoriu la un concurs, va fi deja pe internet, cu interpretarea ta, a\u0219a c\u0103 organizatorii vor vrea s\u0103 te asculte c\u00e2nt\u00e2nd altceva, altfel oamenii nu mai vin la concert, pentru c\u0103 \u00eel pot urm\u0103ri de acas\u0103. <\/p>\n<\/blockquote>\n\n\n\n

Asta \u00eenseamn\u0103 c\u0103 tinerii muzicieni se confrunt\u0103 cu provoc\u0103ri diferite, care au \u0219i leg\u0103tur\u0103 cu felul \u00een care gestioneaz\u0103 ce se \u00eent\u00e2mpl\u0103 dup\u0103 concurs. \u0218i cred c\u0103 ai nevoie de o poart\u0103 de intrare \u00een lumea muzicii, s\u0103 te cunoasc\u0103 oamenii, fie o \u00eenregistrare, fie o competi\u021bie, fie faptul c\u0103 \u00eenlocuie\u0219ti pe cineva \u00eentr-un context important sau nu, fie invita\u021bia unui dirijor. <\/p>\n\n\n\n

Toate astea sunt por\u021bi de intrare, \u0219anse care \u00ee\u021bi sunt date. Dar apoi depinde doar de tine s\u0103 faci ceva bun din acestea \u0219i s\u0103 continui s\u0103 te dezvol\u021bi de-a lungul anilor \u0219i al experien\u021belor.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: Cafeneaua BdB | Cristina Uruc, directorul Artexim: \u201eConcursul Enescu nu este doar o competi\u021bie pe care o c\u00e2\u0219tigi \u0219i r\u0103m\u00e2i anonim\u201d<\/a><\/strong><\/p>\n\n\n\n

Concursul Enescu a introdus, anul acesta, un format nou, \u201ePlay&Conduct\u201d, \u00een care solistul este \u0219i liderul artistic al ansamblului, f\u0103r\u0103 un dirijor. Cum privi\u021bi acest experiment, mai ales c\u0103 a\u021bi studiat \u0219i dumneavoastr\u0103 dirijatul, la Viena?<\/strong><\/p>\n\n\n\n

Pentru mine, este ceva ce \u00eemi place s\u0103 fac \u0219i cred c\u0103 este foarte relevant pentru un anumit repertoriu, pentru c\u0103 po\u021bi crea, cu adev\u0103rat, o abordare colaborativ\u0103 din punct de vedere artistic, mult mai coerent\u0103, care \u021bine mult mai mult de ascultarea reciproc\u0103, de comunicarea neverbal\u0103, de reactivitate. A\u0219a se dezvolt\u0103 o serie de calit\u0103\u021bi extrem de importante \u00een procesul de a face muzic\u0103, \u00een repeti\u021bii \u0219i \u00een spontaneitatea concertelor. <\/p>\n\n\n\n

Este ceva ce \u00eemi place \u00een mod deosebit s\u0103 fac \u0219i cred c\u0103 este foarte important ca concuren\u021bii s\u0103 cunoasc\u0103 aceast\u0103 experien\u021b\u0103, pentru c\u0103 \u00eenva\u021b\u0103 multe despre ei \u00een\u0219i\u0219i, despre procesul de a face muzic\u0103, despre posibilitatea de a face mai multe lucruri deodat\u0103, dar \u0219i despre nivelul de cunoa\u0219tere cerut: cunoa\u0219terea partiturii, a muzicii, a p\u0103r\u021bilor individuale ale fiec\u0103ruia, \u0219i o viziune de ansamblu asupra arhitecturii piesei. <\/p>\n\n\n\n

Cere, deci, un nivel diferit de preg\u0103tire, un alt fel de ascultare, care merit\u0103 s\u0103 fie luat\u0103 \u00een serios. Este foarte interesant \u0219i foarte important \u0219i nu e ceva ce po\u021bi improviza. Po\u021bi exersa acas\u0103, dar s\u0103 ai, cu adev\u0103rat, \u0219ansa s\u0103 \u00eencerci asta pe scen\u0103, cu o orchestr\u0103, \u00een timpul concursului, este extraordinar, \u00eenve\u021bi mult. <\/p>\n\n\n\n

\u0218i speram c\u0103 unii concuren\u021bi vor spune \u201eNu am mai f\u0103cut asta p\u00e2n\u0103 acum \u0219i mi-a pl\u0103cut mult, a\u0219 vrea s\u0103 o fac din nou\u201d \u0219i ar fi o realizare frumoas\u0103 s\u0103 \u0219tiu c\u0103 le-am transmis pu\u021bin din pasiunea mea pentru acest tip de munc\u0103.<\/p>\n\n\n\n

Crede\u021bi, totu\u0219i, c\u0103 acest format – solist \u0219i dirijor \u00een acela\u0219i timp – ar putea \u00eensemna c\u0103, \u00een viitor, nu mai este nevoie de un dirijor?<\/strong><\/p>\n\n\n\n

Nu cred, pentru c\u0103, \u00een primul r\u00e2nd, a c\u00e2nta \u0219i a dirija \u00een acela\u0219i timp nu s-ar potrivi oric\u0103rui repertoriu. Exist\u0103 concerte din anumite perioade istorice scrise chiar cu ideea c\u0103 interpretul va coordona orchestra singur. A\u0219a erau menite s\u0103 fie c\u00e2ntate acele lucr\u0103ri \u00eenc\u0103 de la origine, cu o parte de improviza\u021bie, \u00eentr-o abordare mult mai colaborativ\u0103, mai global\u0103 fa\u021b\u0103 de o orchestr\u0103 care acompaniaz\u0103 un solist. Sau invers, toat\u0103 lumea lucra spre acela\u0219i scop, adic\u0103 s\u0103 dea via\u021b\u0103 \u0219i form\u0103 piesei. <\/p>\n\n\n\n

Prin urmare, este foarte relevant \u00een acel context. <\/p>\n\n\n\n

\n

Dar nu po\u021bi fi bun la absolut totul. A fi un dirijor competent cere ani \u0219i ani de preg\u0103tire, un tip de dedicare foarte diferit, \u0219i nu po\u021bi fi \u00een acela\u0219i timp pianist profesionist cu norm\u0103 \u00eentreag\u0103 \u0219i dirijor profesionist cu norm\u0103 \u00eentreag\u0103. Nu cred c\u0103 dirijorii vor deveni, la un moment dat, inutili. <\/p>\n<\/blockquote>\n\n\n\n

Cred c\u0103 s-ar pierde \u0219i o calitate a muzicii f\u0103cute \u00eempreun\u0103, a ad\u0103ug\u0103rii de voci \u00een ansamblu, \u0219i exist\u0103 repertorii pe care pur \u0219i simplu nu le po\u021bi controla de la claviatur\u0103. Cred c\u0103 va exista mereu o colaborare foarte important\u0103 \u0219i esen\u021bial\u0103 \u00eentre dirijori \u0219i soli\u0219ti, iar relevan\u021ba formatului solist-dirijor depinde, de fapt, de repertoriu.<\/p>\n\n\n\n

Este prima dumneavoastr\u0103 vizit\u0103 la Bucure\u0219ti?<\/strong><\/p>\n\n\n\n

Da, este prima mea vizit\u0103 \u00een Rom\u00e2nia \u0219i sunt foarte fericit\u0103 de asta.<\/p>\n\n\n\n

A\u021bi avut timp s\u0103 descoperi\u021bi pu\u021bin din Bucure\u0219ti, \u00een timpul Concursului Enescu?<\/strong><\/p>\n\n\n\n

Nu foarte mult, dar am dorit s\u0103 descop\u0103r pu\u021bin din \u00eemprejurimi \u0219i simt, cu adev\u0103rat c\u0103 m\u0103 aduce \u00eenapoi la r\u0103d\u0103cinile mele. Este foarte, foarte important pentru mine, uneori, s\u0103 simt c\u0103 lucrez, dar \u00een acela\u0219i timp m\u0103 \u0219i simt ca acas\u0103, \u00eentr-un fel. A\u0219a c\u0103 \u00eenseamn\u0103 mult pentru mine.<\/p>\n","protected":false},"excerpt":{"rendered":"

Marie-Ange Nguci este cea mai t\u00e2n\u0103r\u0103 membr\u0103 a juriului sec\u021biunii Pian a Concursului Interna\u021bional George Enescu 2026, dar \u00een ciuda acestui lucru are o experien\u021b\u0103 consistent\u0103 at\u00e2t ca muzician, c\u00e2t \u0219i ca dirijor. N\u0103scut\u0103 \u00een 1997, a intrat la Conservatorul Na\u021bional Superior de Muzic\u0103 din Paris la doar 13 ani \u0219i a lucrat cu unul […]<\/p>\n","protected":false},"author":60,"featured_media":218835,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":"","_ppma_block_editor_authors":"{\"authors\":[22582],\"author_categories\":{\"22582\":\"1\"},\"fallback_author_user\":\"1\",\"ppma_author_box_select\":\"\",\"selected_authors\":[{\"id\":22582,\"display_name\":\"R\u0103zvan Chiru\u021b\u0103\",\"is_guest\":0,\"category_id\":\"1\"}]}"},"categories":[6994,20208,3238,5762],"tags":[14847,31041,31029],"ppma_author":[22582],"class_list":["post-218767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-2","category-cafeneaua-bdb","category-interviu","category-main","tag-concursul-enescu","tag-marie-ange-nguci","tag-sectiunea-pian"],"acf":[],"a3_pvc":{"activated":false,"total_views":0,"today_views":0},"yoast_head":"\nCafeneaua BdB | Marie-Ange Nguci, membr\u0103 \u00een juriul sec\u021biunii Pian, Concursul Enescu 2026: \u201eUn premiu nu te define\u0219te niciodat\u0103 ca muzician, este doar o poart\u0103 de intrare\u201d - Buletin de Bucure\u0219ti<\/title>\n<meta name=\"description\" content=\"Marie-Ange Nguci vorbe\u0219te despre identitatea sa dubl\u0103, albanez\u0103 prin na\u0219tere \u0219i francez\u0103 prin educa\u021bie, dar \u0219i despre Concursul Enescu.\" \/>\n<meta name=\"robots\" content=\"index, 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