{"id":206807,"date":"2026-07-26T08:06:25","date_gmt":"2026-07-26T05:06:25","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=206807"},"modified":"2026-07-26T08:16:53","modified_gmt":"2026-07-26T05:16:53","slug":"reportaj-ultimul-sunet-al-dictaturii-expozitia-in-care-se-aud-sunetele-reale-ale-anchetelor-securitatii","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/reportaj-ultimul-sunet-al-dictaturii-expozitia-in-care-se-aud-sunetele-reale-ale-anchetelor-securitatii\/","title":{"rendered":"REPORTAJ | Ultimul sunet al dictaturii. Expozi\u021bia \u00een care se aud sunetele reale ale anchetelor Securit\u0103\u021bii"},"content":{"rendered":"\n

O mare cutie ro\u0219ie, banal\u0103 la prima vedere, este amenajat\u0103 \u00een noua expozi\u021bie din cadrul Muzeului Na\u021bional de Istorie a Rom\u00e2niei. O pern\u0103 alb\u0103, o p\u0103tur\u0103 \u00eemp\u0103turit\u0103 cu grij\u0103 la cap\u0103tul saltelei, o m\u0103su\u021b\u0103 rabatabil\u0103 prins\u0103 \u00een perete, pe care stau o gamel\u0103 de aluminiu \u0219i o can\u0103. Pere\u021bii sunt goi, vopsi\u021bi \u00een dou\u0103 nuan\u021be de crem, f\u0103r\u0103 tablouri, f\u0103r\u0103 ferestre \u0219i f\u0103r\u0103 obiecte care s\u0103 spun\u0103 c\u0103 aici ar fi putut tr\u0103i vreodat\u0103 cineva, chiar \u0219i pentru pu\u021bin timp.<\/strong><\/p>\n\n\n\n

Doar c\u00e2nd vizitatorii se opresc \u00een prag \u0219i r\u0103m\u00e2n c\u00e2teva secunde \u00een lini\u0219te \u00ee\u0219i dau seama c\u0103 \u00eenc\u0103perea nu este deloc t\u0103cut\u0103. Din pere\u021bi \u00eencep s\u0103 se aud\u0103 voci.<\/p>\n\n\n\n

Ultimul sunet al dictaturii a fost un foc de arm\u0103<\/strong><\/h2>\n\n\n\n

La \u00eenceput sunt greu de \u00een\u021beles. Cineva r\u0103spunde stresat la \u00eentreb\u0103rile unui anchetator. Alt\u0103 voce ridic\u0103 tonul. Urmeaz\u0103 c\u00e2teva secunde de t\u0103cere, apoi din nou \u00eentreb\u0103ri, r\u0103spunsuri scurte \u0219i zgomotul unui scaun mi\u0219cat pe podea.<\/strong><\/p>\n\n\n\n

Partea stranie este c\u0103 nu se aude o reconstituire cu actori. Sunt \u00eenregistr\u0103ri reale din birourile de anchet\u0103 \u0219i din celulele Direc\u021biei Cercet\u0103ri Penale a Securit\u0103\u021bii, realizate \u00een ultimele luni ale regimului Ceau\u0219escu.<\/p>\n\n\n\n

\u00cen mijlocul expozi\u021biei A.REST 1989<\/a>, deschis\u0103 la Muzeul Na\u021bional de Istorie a Rom\u00e2niei, curatorii au construit aceast\u0103 camer\u0103 de deten\u021bie aproape la scar\u0103 real\u0103. Un fel de capsul\u0103 a timpului \u00een care po\u021bi deopotriv\u0103 s\u0103 prive\u0219ti \u0219i s\u0103 ascul\u021bi trecutul.<\/p>\n\n\n\n

Pe unul dintre panourile informative din aceast\u0103 camer\u0103 este explicat traseul \u00eenregistr\u0103rilor. Primele fragmente provin din ancheta lui Anani Horopciuc, din noiembrie 1989, c\u00e2nd colonelii Gheorghe Burloi \u0219i P\u0103tru Morariu \u00eel interogau ore \u00een \u0219ir.<\/strong><\/p>\n\n\n\n

Urmeaz\u0103 vocea unei femei r\u0103pite din centrul Bucure\u0219tiului \u0219i re\u021binut\u0103 ilegal doar pentru c\u0103 diploma\u021bi americani \u00ee\u0219i exprimaser\u0103 inten\u021bia de a discuta cu ea.<\/p>\n\n\n\n

La final se aud \u0219oaptele a trei b\u0103rba\u021bi afla\u021bi \u00een celula 6A, \u00een noaptea de 21 decembrie 1989. \u00cen timp ce \u00eencearc\u0103 s\u0103 \u00een\u021beleag\u0103 ce se \u00eent\u00e2mpl\u0103 afar\u0103, c\u0103ci de afar\u0103 p\u0103trunde un alt zgomot.<\/strong><\/p>\n\n\n\n

\u00cen pere\u021bii exteriori, de culoare ro\u0219ie, ai acestei cutii care reconstituie celula, sunt mici g\u0103uri prin care po\u021bi vedea trecutul. \u00cenregistr\u0103ri reale din timpul anchetelor securit\u0103\u021bii.<\/p>\n\n\n\n

Ultimul sunet al dictaturii, surprins \u00een expozi\u021bia A.REST 1989<\/figcaption><\/figure>\n\n\n\n

\u00cen restul muzeului oamenii vorbesc \u00eencet, dar nu pentru c\u0103 le-a cerut cineva, ci pentru c\u0103 atmosfera \u00eei oblig\u0103. Ca \u0219i c\u00e2nd ar avea o fric\u0103 ira\u021bional\u0103 c\u0103 urmeaz\u0103 s\u0103 fie t\u00e2r\u00e2\u021bi \u00eentr-o Dacie 1310 de culoare neagr\u0103 \u0219i interoga\u021bi ore \u00een \u0219ir de Securitatea lui Cea\u0219escu.<\/strong><\/p>\n\n\n\n

Expozi\u021bia nu \u00eencearc\u0103 s\u0103 impresioneze prin efecte spectaculoase. Nu exist\u0103 lumini dramatice sau decoruri elaborate, dar fiecare obiect pare s\u0103 aib\u0103 o greutate care dep\u0103\u0219e\u0219te materialul din care este f\u0103cut.<\/p>\n\n\n\n

Un aparat foto Zenit, o pereche de ochelari, fotografii judiciare, microfoane, negative, fragmente de mobilier \u0219i echipamente vechi. Obiecte banale ale unui sistem care le folosea pentru supraveghere \u0219i control.<\/p>\n\n\n\n

Pu\u021bini dintre vizitatori \u0219tiu unde se afla locul pe care \u00eel reconstruie\u0219te expozi\u021bia.<\/p>\n\n\n\n

Fosta Calea Rahovei 37-39, Direc\u021bia Cercet\u0103ri Penale a Securit\u0103\u021bii<\/strong><\/h2>\n\n\n\n

La c\u00e2teva minute de mers pe jos de Palatul Parlamentului, pe fosta Cale a Rahovei, care a primit ulterior numele de Strada George Gerogescu, func\u021biona Direc\u021bia Cercet\u0103ri Penale a Securit\u0103\u021bii. Acolo \u00ee\u0219i desf\u0103\u0219ura activitatea una dintre cele mai importante structuri represive ale ultimului deceniu comunist.<\/strong><\/p>\n\n\n\n

Potrivit informa\u021biilor prezentate \u00een expozi\u021bie, aici ajungeau persoanele acuzate de infrac\u021biuni \u00eempotriva statului. \u00cen ultimii ani ai regimului Ceau\u0219escu, asta putea \u00eensemna aproape orice: distribuirea unor manifeste, \u00eencercarea de a organiza proteste, ascultarea posturilor de radio occidentale, criticarea regimului sau simpla inten\u021bie de a p\u0103r\u0103si \u021bara.<\/p>\n\n\n\n

Arestul avea unsprezece celule, fiecare de aproximativ nou\u0103 metri p\u0103tra\u021bi. \u00cen unele \u00eenc\u0103peau dou\u0103 persoane, \u00een altele patru. WC-ul era doar un col\u021b separat printr-un zid scund, care nu ajungea p\u00e2n\u0103 la tavan, iar apa cald\u0103 se oprea dup\u0103 c\u00e2teva minute \u0219i era disponibil\u0103 doar o singur\u0103 dat\u0103 pe s\u0103pt\u0103m\u00e2n\u0103. Toate celulele erau monitorizate, unele prin vizete, altele prin camere video.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Informatori recruta\u021bi dintre de\u021binu\u021bi sau dintre persoane aflate temporar \u00een custodia Mili\u021biei erau introdu\u0219i \u00een celule tocmai pentru a c\u00e2\u0219tiga \u00eencrederea celor ancheta\u021bi. Uneori primeau drept recompens\u0103 medicamente. Alteori c\u0103r\u021bi, hran\u0103 sau c\u00e2teva minute \u00een plus la vorbitor.<\/strong><\/p>\n\n\n\n

\u00cen documentele oficiale, multe dintre aceste practici aproape c\u0103 nu exist\u0103, dar \u00een casetele video recuperate dup\u0103 Revolu\u021bie pot fi auzite. Din \u00eentreaga arhiv\u0103 video a Direc\u021biei Cercet\u0103ri Penale au supravie\u021buit doar dou\u0103zeci \u0219i \u0219ase de casete VHS. Adic\u0103 aproximativ \u0219aizeci de ore de \u00eenregistr\u0103ri.<\/p>\n\n\n\n

Restul au disp\u0103rut \u00een haosul Revolu\u021biei, iar unele au fost distruse inten\u021bionat.<\/strong><\/p>\n\n\n\n

Obiectele represiunii<\/strong><\/h2>\n\n\n\n

\u00centr-una dintre vitrine se afl\u0103 un aparat foto sovietic Zenit. L\u00e2ng\u0103 el, o pereche de ochelari cu lentilele zg\u00e2riate, c\u00e2teva fotografii judiciare \u0219i un microfon miniatural.<\/strong><\/p>\n\n\n\n

Aparatul foto era folosit pentru \u00eentocmirea fi\u0219elor celor re\u021binu\u021bi. Ochelarii apar\u021binuser\u0103 unei persoane aflate \u00een arest \u0219i erau purta\u021bi \u00een timpul escort\u0103rii dintre celul\u0103 \u0219i camera de anchet\u0103, pentru ca aceasta s\u0103 nu poat\u0103 identifica traseul sau alte persoane.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Expozi\u021bia evit\u0103 senza\u021bionalul. Nu \u00eencearc\u0103 s\u0103 transforme obiectele \u00een relicve \u0219i nici s\u0103 le \u00eencarce artificial cu dramatism. Tocmai aceast\u0103 re\u021binere le face mai puternice. <\/strong>Vizitatorii se apropie de vitrine instinctiv, aproape lipindu-\u0219i frun\u021bile de sticl\u0103, \u00eencerc\u00e2nd s\u0103 disting\u0103 detalii pe care, probabil, nici cei care le-au folosit nu le-ar fi b\u0103nuit importante peste aproape patru decenii.<\/p>\n\n\n\n

Printre cei care au venit s\u0103 vad\u0103 expozi\u021bia se afl\u0103 \u0219i un t\u00e2n\u0103r de pu\u021bin peste dou\u0103zeci de ani. A crescut la Ia\u0219i, iar de c\u00e2\u021biva ani locuie\u0219te \u00een Bucure\u0219ti, unde urmeaz\u0103 cursurile Facult\u0103\u021bii de Drept.<\/p>\n\n\n\n

Spune c\u0103 a aflat despre expozi\u021bie de pe internet \u0219i c\u0103 a vrut s\u0103 \u00een\u021beleag\u0103 mai bine cum func\u021biona, \u00een practic\u0103, sistemul represiv despre care p\u00e2n\u0103 acum citise doar \u00een manuale \u0219i \u00een c\u00e2teva c\u0103r\u021bi.<\/p>\n\n\n\n

\u00cen facultate discut\u0103 despre drepturi fundamentale, despre prezum\u021bia de nevinov\u0103\u021bie \u0219i despre garan\u021biile procesuale. \u00cen fa\u021ba acestei reconstituiri, toate no\u021biunile juridice pe care le-a \u00eenv\u0103\u021bat la facultate au un alt sens. Nu mai sunt articole de lege, ci oameni \u00eenchi\u0219i \u00een camere de c\u00e2\u021biva metri p\u0103tra\u021bi, ancheta\u021bi noaptea, supraveghea\u021bi permanent \u0219i lipsi\u021bi de aproape orice form\u0103 de ap\u0103rare.<\/p>\n\n\n\n

\u201eAm venit din curiozitate, mi-au spus despre expozi\u021bie ni\u0219te colege care au f\u0103cut practic\u0103 la CNSAS. (…) C\u00e2nd am intrat \u00een camera aceea \u0219i am auzit vocile din anchete, \u00ee\u021bi dai seama c\u0103 nu mai e vorba despre teorie, e despre oameni care erau ancheta\u021bi ore \u00eentregi \u0219i \u021binu\u021bi \u00eentr-un loc din care nu \u0219tia nimeni dac\u0103 vor mai ie\u0219i. Cred c\u0103 astfel de expozi\u021bii ar trebui v\u0103zute de c\u00e2t mai mul\u021bi tineri\u201d.<\/em><\/p>\n\n\n\n

Plec\u00e2nd de l\u00e2ng\u0103 vitrine, spune c\u0103 cel mai greu lucru de dus acas\u0103 nu sunt imaginile, ci g\u00e2ndul c\u0103 toate acele obiecte au apar\u021binut unor oameni obi\u0219nui\u021bi.<\/strong><\/p>\n\n\n\n

Dintr-o tiparni\u021b\u0103 clandestin\u0103 la primele ziare libere<\/strong><\/h2>\n\n\n\n

La c\u00e2\u021biva pa\u0219i de celulele reconstruite, expozi\u021bia schimb\u0103 registrul. Dac\u0103 prima parte vorbe\u0219te despre mecanismul represiunii, ultima este despre cei care au \u00eencercat s\u0103 \u00eel sfideze.<\/strong><\/p>\n\n\n\n

\u00centr-o vitrin\u0103 sunt a\u0219ezate aproape modest c\u00e2teva unelte de tipograf: un culeg\u0103tor, o rigl\u0103 tipografic\u0103 gradat\u0103 \u00een puncte, litere de plumb nesortate, un rulou pentru cerneal\u0103 \u0219i tiparul de prob\u0103 al ziarului \u201eRom\u00e2nia\u201d.<\/p>\n\n\n\n

L\u00e2ng\u0103 ele se afl\u0103 o tiparni\u021b\u0103 clandestin\u0103 construit\u0103 de jurnalistul Petre Mihai B\u0103canu, unul dintre cei aresta\u021bi de Securitate \u00een 1988 dup\u0103 ce, \u00eempreun\u0103 cu un grup de colegi de la Rom\u00e2nia liber\u0103, preg\u0103tea tip\u0103rirea unui ziar clandestin.<\/p>\n\n\n\n

\"securitatea,<\/a><\/figure>\n\n\n\n

Obiectele par lipsite de importan\u021b\u0103 pentru cineva care nu a lucrat niciodat\u0103 \u00eentr-o tipografie. \u00cen Rom\u00e2nia ultimilor ani ai comunismului, \u00eens\u0103, fiecare liter\u0103 de plumb \u0219i fiecare coal\u0103 imprimat\u0103 puteau deveni probe \u00eentr-un dosar penal.<\/strong><\/p>\n\n\n\n

Pe un alt panou sunt fotografiile f\u0103cute dup\u0103 Revolu\u021bie. \u00centr-una dintre ele, din decembrie 1989, Anton Uncu apare al\u0103turi de tipografii \u00eenarma\u021bi ai Combinatului Poligrafic \u201eCasa Sc\u00e2nteii\u201d, \u00een timp ce este paginat \u00een libertate unul dintre primele numere ale Rom\u00e2niei libere.<\/p>\n\n\n\n

\u00cen alta, realizat\u0103 \u00een martie 1990, apar \u00eempreun\u0103 cei care aveau s\u0103 conduc\u0103 ziarul \u00een primii ani de dup\u0103 c\u0103derea regimului: Anton Uncu, Petre Mihai B\u0103canu, \u0218tefan Niculescu Maier \u0219i Mihai Creang\u0103.<\/p>\n\n\n\n

\n
\"securitatea,<\/a><\/figure>\n<\/figure>\n\n\n\n

Dup\u0103 camerele de anchet\u0103, dup\u0103 vocile \u00eenregistrate pe ascuns \u0219i obiectele confiscate de Securitate, ultimele exponate nu mai vorbesc despre fric\u0103, ci despre libertatea de a tip\u0103ri un ziar. Iar \u00eentre o liter\u0103 de plumb \u0219i primul num\u0103r al unei prese libere \u00eencape, uneori, istoria unei revolu\u021bii.<\/p>\n\n\n\n

CITE\u0218TE \u0218I:<\/strong> Reportaj | Fundamentele universului, cercetate pe platforma de la M\u0103gurele. Cum arat\u0103, din interior, Institutul de \u0218tiin\u021be Spa\u021biale<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

O mare cutie ro\u0219ie, banal\u0103 la prima vedere, este amenajat\u0103 \u00een noua expozi\u021bie din cadrul Muzeului Na\u021bional de Istorie a Rom\u00e2niei. O pern\u0103 alb\u0103, o p\u0103tur\u0103 \u00eemp\u0103turit\u0103 cu grij\u0103 la cap\u0103tul saltelei, o m\u0103su\u021b\u0103 rabatabil\u0103 prins\u0103 \u00een perete, pe care stau o gamel\u0103 de aluminiu \u0219i o can\u0103. Pere\u021bii sunt goi, vopsi\u021bi \u00een dou\u0103 nuan\u021be […]<\/p>\n","protected":false},"author":59,"featured_media":206808,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[6994,3419,169],"tags":[29539,9,2054,2270,18744,11658],"ppma_author":[22572],"class_list":["post-206807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-2","category-featured","category-reportaj","tag-a-rest","tag-bucuresti","tag-capitala","tag-expozitie","tag-muzeul-national-de-istorie","tag-securitatea"],"acf":[],"a3_pvc":{"activated":false,"total_views":0,"today_views":0},"yoast_head":"\nREPORTAJ | Ultimul sunet al dictaturii. 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N\u0103scut \u0219i crescut \u00een Bucure\u0219ti, a f\u0103cut un pas c\u0103tre presa local\u0103, din pasiune pentru ora\u0219ul s\u0103u \u0219i oamenii din el."}],"_links":{"self":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts\/206807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/comments?post=206807"}],"version-history":[{"count":4,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts\/206807\/revisions"}],"predecessor-version":[{"id":208017,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/posts\/206807\/revisions\/208017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/media\/206808"}],"wp:attachment":[{"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/media?parent=206807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/categories?post=206807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/tags?post=206807"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/buletin.de\/bucuresti\/wp-json\/wp\/v2\/ppma_author?post=206807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}