{"id":154801,"date":"2025-11-09T08:39:15","date_gmt":"2025-11-09T05:39:15","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=154801"},"modified":"2025-11-09T11:58:50","modified_gmt":"2025-11-09T08:58:50","slug":"cafeneaua-bdb-actrita-katia-pascariu-sunt-foarte-bucuresteanca-si-foarte-urbana-de-ce-teatrul-replika-casa-ei-e-mai-mult-decat-un-teatru","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/cafeneaua-bdb-actrita-katia-pascariu-sunt-foarte-bucuresteanca-si-foarte-urbana-de-ce-teatrul-replika-casa-ei-e-mai-mult-decat-un-teatru\/","title":{"rendered":"Cafeneaua BdB | Actri\u021ba Katia Pascariu: \u201eBucure\u015ftiul \u00eemi d\u0103 senza\u021bia c\u0103 m\u0103 simt \u00een siguran\u021b\u0103, c\u0103 m\u0103 descurc, c\u0103 n-are ce s\u0103 mi se \u00eent\u00e2mple\u201d. De ce Teatrul Replika, \u201ecasa\u201d ei, e mai mult dec\u00e2t un teatru"},"content":{"rendered":"\n

Actri\u021ba Katia Pascariu, bucure\u0219teanc\u0103 \u201efoarte urban\u0103\u201d, a crescut \u00eentre blocurile din centru, \u00een parcurile, teatrele \u0219i cinematografele ora\u0219ului \u0219i e convins\u0103 c\u0103 \u00een Bucure\u0219ti e loc de mai bine. A debutat pe scena Teatrului Luni de la Green Hours, \u00eentr-o perioad\u0103 \u00een care teatrul independent abia se n\u0103\u0219tea, \u0219i a continuat apoi cu Teatrul Foarte Mic, Odeon, Macaz \u0219i Replika, spa\u021bii-reper pentru scena alternativ\u0103 din Capital\u0103.<\/strong><\/p>\n\n\n\n

Dup\u0103 ce a fost premiat\u0103 la Berlinale \u0219i inclus\u0103 de The New York Times<\/em> \u00eentre cei mai buni actori ai anului 2021, Katia a r\u0103mas tot aici, \u00een ora\u0219ul \u00een care \u201ese simte \u00een siguran\u021b\u0103\u201d \u0219i pe care \u00eel nume\u0219te, simplu, \u201eacas\u0103\u201d.<\/strong><\/p>\n\n\n\n

Facultatea de teatru i-a ar\u0103tat o alt\u0103 fa\u021b\u0103 a lumii artistice. Katia a urmat cursurile Universit\u0103\u021bii Na\u021bionale de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 (UNATC) \u00eentr-o perioad\u0103 pe care o descrie drept \u201eun abuz emo\u021bional \u0219i psihologic, pic\u0103tur\u0103 cu pic\u0103tur\u0103, constant, timp de patru ani\u201d<\/a>.<\/p>\n\n\n\n

Buletin de Bucure\u0219ti a discutat cu ea pentru a afla ce sfat are pentru viitorii actori, ce \u00eenseamn\u0103 s\u0103 te vindeci prin art\u0103 \u0219i s\u0103 transformi experien\u021ba personal\u0103 \u00eentr-un demers civic, dar \u0219i cum vede ast\u0103zi Bucure\u0219tiul.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: Val de critici dup\u0103 propunerea USR de a construi un bazin de \u00eenot \u00een locul complexului \u00een care func\u021bioneaz\u0103 \u0219i Centrul Replika. C\u0103t\u0103lin Drul\u0103: \u201eA\u0219tept s\u0103 ne \u00eent\u00e2lnim \u0219i s\u0103 g\u0103sim solu\u021bii\u201d<\/a><\/strong><\/p>\n\n\n\n

Buletin de Bucure\u0219ti: Cum a ar\u0103tat copil\u0103ria ta \u00een Bucure\u0219ti \u0219i debutul t\u0103u artistic?<\/strong><\/p>\n\n\n\n

Katia Pascariu: <\/strong>Mi se p\u0103rea atunci c\u0103 arat\u0103 banal, acum mi se pare c\u0103 am fost foarte norocoas\u0103. Am crescut la bloc, \u00een zon\u0103 central\u0103 \u00een Bucure\u0219ti. Foarte mult jucat la bloc, \u0219i vara \u0219i iarna. Am mers la o \u0219coal\u0103 de cartier. M-am jucat mult prin parcuri cu colegele de la \u0219coal\u0103, cu sora mea.<\/p>\n\n\n\n

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Sunt foarte bucure\u0219teanc\u0103 \u0219i foarte urban\u0103.<\/p>\n<\/blockquote>\n\n\n\n

N-am bunici la \u021bar\u0103, mergeam cu ei \u0219i cu p\u0103rin\u021bii uneori vara \u00een excursii, \u00een tabere. Am petrecut mult, mult timp, \u00een copil\u0103ria mea, \u00een ora\u0219, \u00een spatele blocului, \u00een Her\u0103str\u0103u, \u00een Gr\u0103dina Botanic\u0103. Asta mi-a creat impresia c\u0103 Bucure\u0219tiul e mult mai mare dec\u00e2t pot eu s\u0103 percep, dar \u0219i senza\u021bia c\u0103 m\u0103 simt \u00een siguran\u021b\u0103, c\u0103 m\u0103 descurc, c\u0103 n-are ce s\u0103 mi se \u00eent\u00e2mple. E o senza\u021bie de familiaritate, de relaxare fa\u021b\u0103 de existen\u021ba mea \u00een ora\u0219.<\/p>\n\n\n\n

Cumva, sigur, se leag\u0103, apropo de meserie, faptul c\u0103 \u00een Bucure\u0219ti sunt teatre, cinematografe. Am avut noroc c\u0103 p\u0103rin\u021bii mei mergeau la teatru \u0219i ne duceau \u0219i pe noi, la concerte, la diferite tipuri de spectacole \u0219i am avut de mic\u0103 contact cu spa\u021biile acestea culturale.<\/p>\n\n\n\n

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Katia Pascariu. Foto Fb Katia Pascariu<\/figcaption><\/figure>\n\n\n\n

A fost un lucru care mi-a dat \u00eencredere. Sunt mul\u021bi oameni care se fac actori, actri\u021be \u0219i f\u0103r\u0103 s\u0103 ne nasc\u0103 \u0219i s\u0103 creasc\u0103 \u00eentr-un loc unde sunt teatre \u0219i cinemauri, dar noi mergeam des c\u00e2nd eram mic\u0103 \u0219i m-am familiarizat cu aceste locuri, de mic\u0103 \u00eemi pl\u0103cea.<\/p>\n\n\n\n

Mergeam \u00een special la Bulandra, la sala de la Icoanei, sala Toma Caragiu. \u0218i la Teatrul Evreiesc \u00eemi pl\u0103cea foarte mult, pentru c\u0103 se juca \u00een idi\u0219. \u0218i acum se joac\u0103 \u00een idi\u0219, dar atunci nu era supratitrare \u0219i ca s\u0103 auzi \u00een rom\u00e2n\u0103 aveai un receptor care se conecta la scaun \u0219i avea doar partea de sus, ca s\u0103 auzi. Mi se p\u0103rea foarte distractiv.<\/p>\n\n\n\n

Cum ar\u0103ta scena artistic\u0103, cultural\u0103, \u00een momentul \u00een care tu ai debutat?<\/strong><\/p>\n\n\n\n

Nici nu \u00eemi puneam neap\u0103rat \u00een felul acesta problema. Adic\u0103, m\u0103 rog, e o combina\u021bie \u00eentre a\u0219tept\u0103rile cu care am intrat \u00een facultate, felul \u00een care am \u00eenceput s\u0103 simt lucrurile \u00een timpul facult\u0103\u021bii \u0219i felul \u00een care am terminat-o, \u0219i am ie\u0219it de acolo.<\/p>\n\n\n\n

Ideea e c\u0103, sigur, cresc\u00e2nd cu imaginea asta mai clasic\u0103, \u0219i felul \u00een care era \u0219coala, nu \u0219tiu exact dac\u0103 acum a r\u0103mas la fel de tradi\u021bional\u0103, dar atunci clar se preg\u0103tea pentru ideea asta de teatru clasic, institu\u021bional. Era privit cumva din perspectiva profesiei: ce \u00eenseamn\u0103 pentru un actor s\u0103 fie angajat \u00eentr-un teatru, cum func\u021bioneaz\u0103 sistemul, care e parcursul, care e \u0219i ideea postului. \u0218tii, dar \u0219i din afar\u0103 exista imaginea asta, mai\u2026 clasic\u0103.<\/p>\n\n\n\n

Probabil c\u0103, ini\u021bial, la asta m-am raportat \u0219i eu, a\u0219a mi-am imaginat.<\/p>\n\n\n\n

Dar deja c\u00e2nd eram \u00een facultate, \u0219i chiar dinainte, \u00een liceu, ap\u0103ruse Green Hours, \u0219i apoi s-a \u00eenfiin\u021bat \u0219i Teatrul Luni de la Green Hours.<\/p>\n\n\n\n

Acolo a fost, practic, primul teatru independent, s\u0103 zicem.<\/p>\n\n\n\n

\n

\u0218i mi-am dat seama destul de repede, nu neap\u0103rat c\u0103 m\u0103 atr\u0103gea genul \u0103la de texte \u0219i spectacole, c\u00e2t mai degrab\u0103 ideea de a face parte din contexte artistice, teatrale, de tipul celor care se \u00eent\u00e2mplau acolo. Mi se p\u0103reau mult mai vii, mai palpitante, mai interesante \u0219i mai adev\u0103rate, cumva, \u0219i pentru arti\u0219ti, \u0219i pentru public.<\/p>\n<\/blockquote>\n\n\n\n

Am jucat la Green Hours, apoi la Teatrul Foarte Mic \u0219i pe urm\u0103 la Odeon.<\/p>\n\n\n\n

Ideea e c\u0103 nu erau foarte multe spa\u021bii. Nici nu-mi imaginam, la \u00eenceput, c\u0103 putem avea noi parte de spa\u021bii independente, sau, m\u0103 rog, dintr-un colectiv care s\u0103 creeze proiecte. Nu-mi imaginam deloc lucrurile astea.<\/p>\n\n\n\n

Dar p\u00e2n\u0103 s\u0103 ajung acolo, sigur, Teatrul Luni a fost primul loc pe care mi l-am dorit foarte tare, mai ales pe finalul facult\u0103\u021bii \u0219i c\u00e2nd am terminat. Era altceva, era nota aia discordant\u0103. \u0218i pentru mine a \u00eensemnat foarte mult, m-a deschis foarte tare.<\/p>\n\n\n\n

\"\"
Katia Pascariu. FOTO: arhiva personal\u0103.<\/figcaption><\/figure>\n\n\n\n

Pe urm\u0103 m-am dus aproape exclusiv \u00een direc\u021bia asta \u0219i datorit\u0103 contextelor, \u0219i datorit\u0103 oamenilor pe care i-am \u00eent\u00e2lnit.<\/p>\n\n\n\n

\u0218i de asta zic: nu-mi imaginam atunci c\u0103 putem avea at\u00e2tea spa\u021bii. Nu-mi d\u0103deam seama exact. Adic\u0103 atunci c\u00e2nd am terminat eu facultatea, nu \u0219tiu dac\u0103 nu erau \u00eenc\u0103 foarte multe… sau dac\u0103 eram eu mai timid\u0103, mai preocupat\u0103 de propria mea persoan\u0103, \u00eenc\u00e2t \u00eemi era greu s\u0103-mi imaginez un tablou mai amplu dac\u0103 sunt destule teatre.<\/p>\n\n\n\n

De c\u00e2nd ai debutat, cum s-a schimbat scena cultural\u0103 din Capital\u0103?<\/strong><\/p>\n\n\n\n

P\u0103i Teatrul Replika a ap\u0103rut vreo zece ani mai t\u00e2rziu, dar noi \u00eentre timp \u00eencepusem deja s\u0103 lucr\u0103m prin tot felul de spa\u021bii, a fost Macaz, au fost mai multe, jucam prin galerii, prin spa\u021bii alternative, \u0219i apoi am \u00eenceput s\u0103 facem parteneriate cu teatre de stat, am folosit s\u0103lile studio.<\/p>\n\n\n\n

Cumva teatrele de stat reu\u0219eau s\u0103 te g\u0103zduiasc\u0103, s\u0103 fac\u0103 un parteneriat cu tine, dar erai foarte constr\u00e2ns. Repetai pu\u021bin, trebuia s\u0103 ai grij\u0103 de decor, nu aveai personal tehnic, nu aveai ma\u0219ini\u0219ti, nu aveai lumini. Nu era foarte clar cum puteau fi f\u0103cute parteneriatele astea, dac\u0103 erau sustenabile, pentru c\u0103 spectacolele, \u00een final, nu intrau automat \u00een repertoriul teatrului.<\/p>\n\n\n\n

A\u0219a c\u0103 parteneriatele astea erau cu dublu t\u0103i\u0219: pe de o parte foarte bune, pentru c\u0103 aveai unde scoate spectacole, dar pe de alt\u0103 era complicat.<\/p>\n\n\n\n

Nu aveam unde s\u0103 scoatem spectacolele, s\u0103 lucr\u0103m efectiv \u00eentr-un spa\u021biu de teatru fie conven\u021bional, fie neconven\u021bional. Ne doream foarte mult chestia asta, dar, \u00een acela\u0219i timp, ajungeai s\u0103 r\u0103m\u00e2i cu spectacolele \u0219i decorurile pe cap, spectacole nejucate… \u0218i ne-am dat seama c\u0103 lucrurile nu puteau cre\u0219te a\u0219a.<\/p>\n\n\n\n

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C\u0103 ideal ar fi s\u0103 apar\u0103 spa\u021bii noi, sau s\u0103 ni le facem noi.<\/strong><\/p>\n<\/blockquote>\n\n\n\n

\u0218i, \u00eentr-adev\u0103r, au ap\u0103rut mai multe teatre particulare, foarte diferite \u00eentre ele. La fel cum teatrele institu\u021bionale sunt diverse, \u0219i cele private au repertorii \u0219i tematici foarte diferite.<\/p>\n\n\n\n

Primele care au ap\u0103rut erau mai mult pe zona asta de \u201eteatru-cafenea\u201d. Bar, un spectacol, un concert, chestii mixte. Cred c\u0103 a\u0219a a \u00eenceput totul. A ap\u0103rut Teatrul Act, care, de fapt, cred c\u0103 a fost primul teatru particular, privat. Nu era bar, era un teatru propriu-zis.<\/p>\n\n\n\n

Dup\u0103 aia au ap\u0103rut tot felul de tipuri de teatre independente, ne-subven\u021bionate, foarte multe tipuri cu feluri foarte diferite de a exista.<\/p>\n\n\n\n

Acum chiar sunt mai multe, pentru publicuri diferite, \u00een cartiere diferite.<\/p>\n\n\n\n

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Cine este Katia Pascariu<\/h2>\n\n\n\n

Katia Pascariu a absolvit Facultatea de Teatru \u2013 Sec\u021bia Arta Actorului de la\u00a0UNATC Bucure\u0219ti \u0219i un master \u00een Antropologie \u0219i Dezvoltare la Facultatea de Sociologie la Universitatea din Bucure\u0219ti.<\/strong><\/p>\n\n\n\n

Este membru fondator al Centrului de Art\u0103 Comunitar\u0103 V\u00e2rsta 4 \u0219i al Asocia\u021biei ADO \u2013 art\u0103 pentru drepturile omului. Din 2017 este \u0219i evaluator de proiecte culturale la Administra\u021bia Fondului Cultural Na\u021bional.<\/p>\n\n\n\n

Katia Pascariu a mai jucat rolurile Maica Sevastiana, \u00een produc\u021bia \u201eDup\u0103 dealuri\u201d de\u00a0Cristian Mungiu\u00a0(2012) \u0219i Ana, \u00een filmul \u201eSchi\u021ba unui sf\u00e2r\u0219it \u201d de Georgiana Madin (2011).<\/strong><\/p>\n\n\n\n

Katia Pascariu este c\u00e2\u0219tig\u0103toarea Premiului Gopo pentru cea mai bun\u0103 actri\u021b, \u00een 2022, pentru rolul din \u201eBabardeal\u0103 cu bucluc sau porno balamuc”. Pentru acela\u0219i rol, a fost nominalizat\u0103 de New York Times printre cei mai buni actori ai anului 2021.<\/p>\n\n\n\n

\"Katia
Katia Pascariu, \u00een \u201eBabardeal\u0103 cu bucluc\u201d<\/figcaption><\/figure>\n\n\n\n

\u00cen\u00a02025, Katia Pascariu a primit premiul \u201eBoccalino d\u2019Oro\u201d pentru cea mai bun\u0103 actri\u021b\u0103 la Festivalul de Film de la Locarno, pentru rolul din \u201eSorella di Clausura”.<\/p>\n\n\n\n

Katia Pascariu a avut o o presta\u021bie \u201eabsolut stelar\u0103 \u0219i ancoreaz\u0103 \u00eentreaga produc\u021bie \u00eentr-o manier\u0103 care este cu adev\u0103rat captivant\u0103\u201d, a scris International Cinephile Society despre acest rol.<\/strong><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

C\u00e2nd eram mic\u0103, clar, nu exista asta. Teatrele \u0219i, \u00een general, spa\u021biile culturale care mai func\u021bionau erau concentrate \u00een centru, ceea ce nu era foarte ok.<\/strong><\/p>\n\n\n\n

Sigur, mai era Masca, dar Masca atunci era mai mult prin ora\u0219, \u00eei vedeai la metrou, prin parcuri, f\u0103ceau multe spectacole \u00een aer liber.<\/p>\n\n\n\n

\u0218i la cinema mergeam foarte mult, la cele de pe Magheru, la Studio, la Patria, la cele de pe Kog\u0103lniceanu. Din p\u0103cate, s-au \u00eenchis toate \u00eenainte de Colectiv. Mersul la cinema s-a schimbat enorm.<\/p>\n\n\n\n

\u00cen ce sens? A devenit mai comercial?<\/strong><\/p>\n\n\n\n

Da, \u00een primul r\u00e2nd pentru c\u0103 s-au \u00eenchis cinematografele clasice. Dup\u0103 Colectiv, au r\u0103mas doar Cinemateca Eforie \u0219i, mai t\u00e2rziu, s-a redeschis Union.<\/p>\n\n\n\n

C\u00e2nd eram eu la liceu, mergeam la Eforie, era singura op\u021biune. Acum merg foarte mult la Eforie \u0219i la Elvire Popesco, cred c\u0103 cel mai des acolo.<\/p>\n\n\n\n

A fost o bucat\u0103 din timp c\u00e2nd au ap\u0103rut cinematografele din malluri, o vreme mergeam destul de mult, dar acum mai rar, pentru c\u0103 ai filmele pe platforme, acas\u0103.<\/p>\n\n\n\n

A fost o perioad\u0103 \u00een care mersul la cinema s-a mutat din centru, s-a dus \u00een malluri, ca la americani, ca la Hollywood, \u00een filme.<\/p>\n\n\n\n

Acum ce te atrage la spa\u021biile independente cum sunt Replika sau Macaz?<\/strong><\/p>\n\n\n\n

Din perspectiva mea, de actri\u021b\u0103 \u0219i de om implicat \u00een grupurile astea \u0219i demersurile astea, m\u0103 atrage faptul c\u0103 f\u0103r\u0103 ele n-am putea exista.<\/p>\n\n\n\n

Ele sunt vitale, f\u0103r\u0103 spa\u021biile independente, nu ne-am putea face proiectele, nu ne-am putea face treaba.<\/p>\n\n\n\n

Cele dou\u0103, Macaz \u0219i Replika, la care am pus um\u0103rul, au fost experien\u021be foarte diferite.<\/p>\n\n\n\n

Macaz era gestionat de un grup mixt, nu doar de oameni de teatru, erau din domenii diferite, din genera\u021bii diferite, era \u0219i un bar, \u0219i ne ocupam \u0219i de el.<\/p>\n\n\n\n

A fost foarte solicitant, dar \u00een acela\u0219i timp extraordinar. Pentru c\u0103 veneau oameni care, altfel, nu ar fi venit la teatru. S-au adunat acolo multe comunit\u0103\u021bi diferite, tipuri de public multe pentru oferte \u0219i ocazii de socializare diferite.<\/p>\n\n\n\n

Era un loc viu: petreceri, proiec\u021bii de film, ping-pong, dezbateri, spectacole, tot felul de lucruri.<\/p>\n\n\n\n

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Replika, \u00een schimb, pentru mine e \u201eacas\u0103\u201d. Oamenii de acolo, felul \u00een care lucreaz\u0103, mi se pare c\u0103 ce se \u00eent\u00e2mpl\u0103 acolo e mai mult dec\u00e2t spectacol de teatru. E ceva care face bine comunit\u0103\u021bii, aproape un serviciu public, dup\u0103 p\u0103rerea mea.<\/em><\/p>\n<\/blockquote>\n\n\n\n

A existat recent situa\u021bia aceea \u00een care Replika era s\u0103 devin\u0103 bazin de \u00eenot. Cum ai sim\u021bit acel pericol?<\/strong><\/p>\n\n\n\n

Mi s-a p\u0103rut ridicol \u0219i trist. E exact imaginea felului \u00een care politicienii \u00ee\u0219i bat joc de cultur\u0103 \u0219i educa\u021bie. Nu le pas\u0103, nu \u0219tiu, nu dau habar, nu dau doi bani pe nevoile reale ale oamenilor, nevoile sociale, ce \u00eenseamn\u0103 cultur\u0103, educa\u021bie.<\/p>\n\n\n\n

Totul e ignorat, distrus, e mult dezinteres, totul era de campanie electoral\u0103. Oricum, era clar c\u0103 propunerea aia era doar de imagine, omul \u00ee\u0219i f\u0103cea campanie, nimic mai mult.<\/p>\n\n\n\n

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Sigur, \u00een Bucure\u0219ti e nevoie \u0219i de bazine, e adev\u0103rat. Dar e nevoie \u0219i de teatre. \u0218i de locuri accesibile.<\/em><\/p>\n<\/blockquote>\n\n\n\n

Momentul \u0103la a fost foarte stresant pentru Replika, dar \u0219i foarte emo\u021bionant, pentru c\u0103 oamenii s-au mobilizat \u0219i au reac\u021bionat instant.<\/p>\n\n\n\n

Bucure\u0219tiul ar avea nevoie de mult mai multe spa\u021bii culturale \u0219i spa\u021bii de f\u0103cut sport, care s\u0103 fie \u0219i accesibile. Un abonament pentru \u00eenot nu e accesibil pentru oricine.<\/p>\n\n\n\n

Ce se \u00eent\u00e2mpl\u0103 la Replika \u021bine de un serviciu public.<\/p>\n\n\n\n

Cum vezi lipsa asta a teatrelor de cartier?<\/strong><\/p>\n\n\n\n

E foarte frustrant. Eu stau aproape de centru, dar \u00eemi dau seama c\u0103 pentru mul\u021bi oameni e greu s\u0103 ajung\u0103. <\/p>\n\n\n\n

C\u00e2nd eram mic\u0103, nu-mi d\u0103deam seama c\u0103 erau cartiere \u00eentregi f\u0103r\u0103 acces la cultur\u0103.<\/p>\n\n\n\n

Infrastructur\u0103 exista \u0219i \u00eenc\u0103 exist\u0103, dar nu exista interes \u00eenc\u0103 de c\u00e2nd eram mic\u0103. A fost distrus\u0103, privatizat\u0103, d\u0103r\u00e2mate \u0219i transformate.<\/p>\n\n\n\n

Erau multe dintre spa\u021bii unde se puteau \u00eent\u00e2mpla evenimente culturale.<\/p>\n\n\n\n

Mai erau \u0219i centrele culturale, cluburile de art\u0103 pentru copii, pentru pensionari. Unele \u00eenc\u0103 mai func\u021bioneaz\u0103, dar mult mai pu\u021bine.<\/p>\n\n\n\n

C\u00e2nd eram mic\u0103, aveam impresia c\u0103 ele exist\u0103 peste tot, dar nu-mi d\u0103deam seama c\u00e2t\u0103 lume nu are acces. Mul\u021bi oameni nu-\u0219i permiteau, sau nu exista obiceiul.<\/p>\n\n\n\n

Eu am crescut cu ideea asta de ritual de a merge la teatru, la film, la evenimente culturale, de a consuma cultur\u0103. Am deprins-o din familie, \u0219i cred c\u0103 a fost un avantaj, s-a \u0219i potrivit cu interesele \u0219i nevoile mele. Dar acum mi se pare c\u0103 lucrurile s-au complicat. Oferta e, poate, mai mare \u0219i mai divers\u0103, dar e \u0219i mai pu\u021bin accesibil\u0103, lucrurile sunt destul de scumpe.<\/p>\n\n\n\n

Deci lucrurile s-au schimbat destul de mult.<\/p>\n\n\n\n

Cum ai f\u0103cut s\u0103 nu te descurajeze experien\u021ba prin care ai trecut la UNATC?<\/strong><\/p>\n\n\n\n

Nu mi-am dat seama atunci c\u0103 m\u0103 descurajeaz\u0103\u2026 nu se vorbea \u00een termenii \u00een care se vorbe\u0219te acum. Nu doar termeni la propriu, de\u0219i acum avem un vocabular mai accesibil \u0219i mai cunoscut, ci \u0219i felul \u00een care ne raportam la experien\u021be. Eu nu-mi asociam ce tr\u0103iam cu ni\u0219te concepte clare. Mi se p\u0103rea c\u0103 e doar o experien\u021b\u0103 banal\u0103 de student\u0103 la actorie.<\/p>\n\n\n\n

\u0218i, tot \u00eentorc\u00e2ndu-m\u0103 la \u201eavantajul\u201d de a fi \u00eentr-o familie aproape, sim\u021beam cumva c\u0103 am o plas\u0103 de siguran\u021b\u0103.<\/p>\n\n\n\n

Pe de o parte aveam aceste experien\u021be destul de dure, intense, negativ, dar \u00een acela\u0219i timp m\u0103 \u00eentorceam \u00eentr-un loc unde m\u0103 sim\u021beam \u00een siguran\u021b\u0103. Asta a fost un avantaj pentru mine: n-am plecat de acas\u0103 foarte devreme, \u00eentr-un loc \u00een care s\u0103 m\u0103 simt agresat\u0103, de to\u021bi factorii din jur, de lips\u0103 de familie, prieteni, sprijin emo\u021bional.<\/p>\n\n\n\n

Asta ar fi contribuit mult la partea foarte descurajant\u0103.<\/p>\n\n\n\n

\u00cen schimb, faptul c\u0103 puteam s\u0103 \u201e\u00eencarc\u201d de fiecare dat\u0103 bateriile, s\u0103-mi iau timp s\u0103 m\u0103 g\u00e2ndesc: \u201eB\u0103i, exist\u0103 \u0219i alte posibilit\u0103\u021bi? Totu\u0219i, eu asta \u00eemi doresc s\u0103 fac\u2026\u201d, m-a \u021binut pe linie.<\/p>\n\n\n\n

A fost un fel de echilibru \u00eentre lucrurile foarte dure \u0219i un ceva familiar care m\u0103 reconecta \u0219i \u00eemi d\u0103dea \u00eencredere c\u0103 e ok s\u0103 \u00eencerc, e ok s\u0103 m\u0103 caut, dac\u0103 asta \u00eemi doresc, e ok s\u0103 v\u0103d dac\u0103 reu\u0219esc.<\/p>\n\n\n\n

Probabil c\u0103 asta m-a ajutat s\u0103 ajung p\u00e2n\u0103 \u00een momentul \u00een care am \u00eent\u00e2lnit c\u00e2teva persoane \u0219i grupuri \u00een care m-am reg\u0103sit, care au dorit s\u0103 lucreze cu mine, unde m-am sim\u021bit \u00een siguran\u021b\u0103, util\u0103, dorit\u0103. De acolo, lucrurile s-au legat mult mai u\u0219or.<\/p>\n\n\n\n

Ce sfat le-ai da tinerilor care intr\u0103 azi la UNATC?<\/strong><\/p>\n\n\n\n

P\u0103i odat\u0103 ce au intrat, s\u0103 nu renun\u021be u\u0219or, s\u0103 nu se sperie de piedici, dac\u0103 apar pe parcurs, de orice fel. S\u0103 \u00eencerce s\u0103 fie vocali cu toate lucrurile pe care le simt \u0219i s\u0103 fie solidari. Ceea ce e greu, \u0219i \u00een meseria noastr\u0103, \u0219i \u00een facultate \u00eemi aduc aminte. E bine s\u0103 \u00eenv\u0103\u021b\u0103m c\u00e2t mai devreme solidaritatea. Eu am \u00eenv\u0103\u021bat-o foarte t\u00e2rziu.<\/p>\n\n\n\n

\n

\u00cen facultate, din p\u0103cate, experien\u021ba mea a fost invers: parc\u0103 tot sistemul, tot ce se \u00eent\u00e2mpla, era \u00een sens opus oric\u0103rei ac\u021biuni de solidarizare. <\/em><\/p>\n<\/blockquote>\n\n\n\n

Felul \u00een care se preda, rela\u021bia profesorilor \u00eentre ei \u0219i cu studen\u021bii, felul \u00een care era prezentat mediul \u00een care urma s\u0103 intr\u0103m \u0219i specificul meseriei\u2026 totul p\u0103rea o preg\u0103tire pentru ce urmeaz\u0103 s\u0103 fie mai departe, f\u0103r\u0103 nicio clip\u0103 \u00een care ac\u021biunea de grup, de colectiv, s\u0103 apar\u0103 ca ceva care te-ar ajuta.<\/p>\n\n\n\n

\u0218i meseria noastr\u0103 e fix despre lucrul \u00een echip\u0103. N-ai cum s\u0103 o faci altfel.<\/p>\n\n\n\n

Deci ce ni se transmitea era total contraproductiv, \u0219i la nivel uman \u0219i profesional. I-a\u0219 \u00eencuraja s\u0103 g\u00e2ndeasc\u0103 mult mai mult \u00een termeni de echip\u0103, spre binele fiec\u0103ruia.<\/p>\n\n\n\n

Poate sun\u0103 contraintuitiv \u00een logica \u00een care tr\u0103im, \u00een capitalism, dar cred c\u0103 \u00een natura noastr\u0103 func\u021bion\u0103m mai bine \u00eempreun\u0103. Nici meseria asta nu o po\u021bi face singur, nici \u00een facultate nu poate s\u0103-\u021bi fie bine dac\u0103 sim\u021bi c\u0103 e\u0219ti v\u00e2nat \u0219i c\u0103 trebuie s\u0103 v\u00e2nezi.<\/p>\n\n\n\n

Am v\u0103zut c\u0103 New York Times te-a inclus \u00een 2021 pe lista celor mai buni actori ai anului. Dup\u0103 un asemenea succes, cum ai ales s\u0103 r\u0103m\u00e2i \u00een ora\u0219ul \u0103sta? De ce n-ai c\u0103utat ceva mai interna\u021bional?<\/strong><\/p>\n\n\n\n

A fost foarte amuzant momentul . Mi-au scris, apoi am vorbit la telefon: m-au \u00eentrebat dac\u0103 am drum prin New York ca s\u0103 facem pozele. Le-am zis c\u0103 e mai greu cu drumul. Au venit ei \u00een Europa pentru mai mul\u021bi din topul respectiv, au f\u0103cut fotografiile.<\/p>\n\n\n\n

N-am mers \u00een direc\u021bia aia. Nu mi s-a p\u0103rut mai mult dec\u00e2t o experien\u021b\u0103 \u00een sine.<\/p>\n\n\n\n

Da, o asemenea expunere poate oferi o platform\u0103, dar nu a fost o op\u021biune. Dac\u0103 ar fi fost ideea de plecat, nu asta m-ar fi f\u0103cut s\u0103 plec.<\/p>\n\n\n\n

Acum, \u00een anumite contexte, putem circula \u0219i ne putem \u00eentoarce acas\u0103.<\/p>\n\n\n\n

\n

Pentru mine \u201eacas\u0103\u201d e Bucure\u0219tiul.<\/em><\/strong><\/p>\n<\/blockquote>\n\n\n\n

Nu e doar faptul c\u0103 stau de at\u00e2\u021bia ani, e legat de p\u0103rin\u021bi, de familie, de prieteni. Nu cred c\u0103 a\u0219 mai pleca.<\/p>\n\n\n\n

\u00cen facultate m-am g\u00e2ndit, aveam multe prietene care au plecat, unii s-au mai \u00eentors, unii nu. <\/p>\n\n\n\n

Mi se pare c\u0103 po\u021bi foarte u\u0219or s\u0103 lucrezi altundeva pentru un proiect \u0219i apoi s\u0103 te \u00eentorci aici.<\/p>\n\n\n\n

\"\"
Katia Pascariu. FOTO: arhiva personal\u0103.<\/figcaption><\/figure>\n\n\n\n

Ne po\u021bi recomanda c\u00e2te un teatru, muzeu \u0219i un cinema?<\/strong><\/p>\n\n\n\n

Teatru e simplu: Replika.<\/p>\n\n\n\n

Apoi ceva care, pe vremea c\u00e2nd eram eu mic\u0103, nu era foarte dezvoltat a\u0219 recomanda galeriile. Sunt foarte multe, tot mai mi\u0219to, tot mai diverse, \u00een zone tot mai multe. Chiar sunt r\u0103sp\u00e2ndite \u00een mult mai multe cartiere dec\u00e2t muzeele.<\/p>\n\n\n\n

\u00cen Bucure\u0219ti sunt foarte diverse \u0219i conectate la ce se \u00eent\u00e2mpl\u0103 acum \u00een arta contemporan\u0103.<\/p>\n\n\n\n

Cinematograful meu preferat \u0219i pe care \u00eel recomand des e Elvire Popesco.<\/p>\n\n\n\n

\u00cemi dau seama c\u0103 am tot vorbit despre scena cultural\u0103, dar nu \u0219i despre muzee.<\/p>\n\n\n\n

La \u0219coal\u0103 ne duceau la muzee, \u00een excursii.<\/p>\n\n\n\n

\u021ain minte \u0219i obiceiul din familie c\u00e2nd veneau prieteni sau rude din str\u0103in\u0103tate, mergeam cu ei la muzee, era o combina\u021bie de promenad\u0103 cu \u201econsumat\u201d art\u0103.<\/p>\n\n\n\n

Ce s-a schimbat \u00een bine, de\u0219i \u00eenc\u0103 incipient, e ideea c\u0103 muzeul poate fi \u0219i un loc \u00een care stai: te ui\u021bi la expozi\u021bii, dar po\u021bi s\u0103 cite\u0219ti o carte, s\u0103 bei o cafea, s\u0103 te \u00eent\u00e2lne\u0219ti cu cineva acolo, nu doar \u201e\u00een trecere\u201d.<\/p>\n\n\n\n

Asta mi s-ar p\u0103rea mi\u0219to de dezvoltat. Unul dintre lucrurile care m\u0103 frustreaz\u0103 cel mai tare la Bucure\u0219ti, care m\u0103 doare cel mai tare e lipsa spa\u021biilor publice, nu doar ca loc efectiv, ci ca spa\u021biu de \u00eent\u00e2lnire \u0219i de activitate. E loc de mai bine \u0219i e nevoie.<\/p>\n\n\n\n

\n

Doar c\u0103 sunt multe interese specifice capitalismului. Orice spa\u021biu gol e o oportunitate de a face bani.<\/em><\/p>\n<\/blockquote>\n\n\n\n

De ce locuie\u0219ti \u00een Bucure\u0219ti \u0219i de ce ai ales zona?<\/strong><\/p>\n\n\n\n

S-a potrivit o combina\u021bie \u00eentre via\u021b\u0103 \u0219i munc\u0103. Mi-am dat seama c\u0103, indiferent de meserie, cred c\u0103 mi-ar fi fost greu s\u0103 plec din ora\u0219.<\/p>\n\n\n\n

Sunt destul de dependent\u0103 de a locui \u00eentr-un spa\u021biu urban mare. De c\u00e2te ori ajung \u00eentr-un ora\u0219 mic, \u00eemi place, vreau s\u0103 descop\u0103r, m\u0103 intereseaz\u0103 istoria, demografia, \u00eemi place ideea de a m\u0103 imagina \u00eentr-o via\u021b\u0103 de ora\u0219 mic sau chiar \u00een mediu rural, dar nu rezist pe termen lung.<\/p>\n\n\n\n

Ce mijloc de transport folose\u0219ti cel mai des?<\/strong><\/p>\n\n\n\n

Merg pe jos, metrou, taxi, car-sharing, ma\u0219inile prietenilor\/prietenelor. \u0218i, din c\u00e2nd \u00een c\u00e2nd, trotinete. Merg \u0219i cu bicicleta, dar \u00een Bucure\u0219ti doar de pl\u0103cere, nu ca mijloc zilnic.<\/p>\n\n\n\n

Am avut perioade c\u00e2nd am mers mai mult, la liceu \u0219i la facultate am folosit mult tramvaiul, ani de zile. Acum sunt mult mai bine conectat\u0103 cu Replika prin metrou.<\/p>\n\n\n\n

Care e parcul t\u0103u preferat din ora\u0219?<\/strong><\/p>\n\n\n\n

C\u00e2nd eram mic\u0103, \u00eemi pl\u0103cea foarte mult zona dintre Muzeul de Geologie \u0219i Arcul de Triumf, Parcul Kiseleff o bucat\u0103 de parc unde acum se fac tot felul de t\u00e2rguri. \u00cemi pl\u0103cea pentru c\u0103 erai \u00een ora\u0219, dar sim\u021beai un spa\u021biu mai aerisit.<\/p>\n\n\n\n

\u00cemi plac locurile mai pu\u021bin amenajate.<\/p>\n\n\n\n

Unde \u00ee\u021bi place s\u0103-\u021bi bei cafeaua?<\/strong><\/p>\n\n\n\n

Cam oriunde. Beau foarte mult\u0103 cafea. Cred c\u0103 pe strad\u0103 \u00eemi place s-o beau cel mai des.<\/p>\n\n\n\n

CITE\u0218TE \u0218I:<\/strong> Cafeneaua BdB | Cristian M\u0103celaru, cel mai nou cet\u0103\u021bean de onoare al Bucure\u0219tiului: \u201eFestivalul Enescu are impact economic, dar \u0219i un impact nev\u0103zut, care este crearea unei societ\u0103\u021bi mai frumoase\u201d<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Actri\u021ba Katia Pascariu, bucure\u0219teanc\u0103 \u201efoarte urban\u0103\u201d, a crescut \u00eentre blocurile din centru, \u00een parcurile, teatrele \u0219i cinematografele ora\u0219ului \u0219i e convins\u0103 c\u0103 \u00een Bucure\u0219ti e loc de mai bine. A debutat pe scena Teatrului Luni de la Green Hours, \u00eentr-o perioad\u0103 \u00een care teatrul independent abia se n\u0103\u0219tea, \u0219i a continuat apoi cu Teatrul Foarte […]<\/p>\n","protected":false},"author":59,"featured_media":154804,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[6994,20208,81,3238,5762],"tags":[9,2054,24417,24416],"ppma_author":[22572],"class_list":["post-154801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-2","category-cafeneaua-bdb","category-cultura","category-interviu","category-main","tag-bucuresti","tag-capitala","tag-katia-pascariu","tag-teatrul-replika"],"acf":[],"a3_pvc":{"activated":false,"total_views":0,"today_views":0},"yoast_head":"\nCafeneaua BdB | Actri\u021ba Katia Pascariu: \u201eBucure\u015ftiul \u00eemi d\u0103 senza\u021bia c\u0103 m\u0103 simt \u00een siguran\u021b\u0103, c\u0103 m\u0103 descurc, c\u0103 n-are ce s\u0103 mi se \u00eent\u00e2mple\u201d. 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