{"id":144914,"date":"2025-08-24T17:26:47","date_gmt":"2025-08-24T14:26:47","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=144914"},"modified":"2025-08-25T07:08:43","modified_gmt":"2025-08-25T04:08:43","slug":"surprinzatoarea-declaratie-a-compozitorului-dan-dediu-despre-sala-palatului-criticata-de-majoritatea-muzicienilor-suna-foarte-bine","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/surprinzatoarea-declaratie-a-compozitorului-dan-dediu-despre-sala-palatului-criticata-de-majoritatea-muzicienilor-suna-foarte-bine\/","title":{"rendered":"Surprinz\u0103toarea declara\u021bie a compozitorului Dan Dediu despre Sala Palatului, criticat\u0103 de majoritatea muzicienilor: \u201eSun\u0103 foarte bine\u201d"},"content":{"rendered":"\n

\u201eSun\u0103 foarte bine\u201d, a fost surprinz\u0103toarea declara\u021bie pe care compozitorul Dan Dediu a f\u0103cut-o despre Sala Palatului la conferin\u021ba de lansare a edi\u021biei 2025 a Festivalului Enescu.<\/strong><\/p>\n\n\n\n

Declara\u021bia a venit \u00een contextul \u00een care, din nou, ca la fiecare edi\u021bie a acestui eveniment muzical important, a reap\u0103rut \u00een spa\u021biul public discu\u021bia despre locul nepotrivit \u00een care se desf\u0103\u0219oar\u0103 majoritatea concertelor.<\/p>\n\n\n\n

Sala Palatului a fost ini\u021bial g\u00e2ndit\u0103 ca o sal\u0103 de congrese, nu ca una de spectacol. Aceasta a fost inaugurat\u0103 \u00een 1960 \u0219i de atunci a primit \u00eembun\u0103t\u0103\u021biri minore, care nu au reu\u0219it totu\u0219i s\u0103 aduc\u0103 \u00een modernitate. <\/p>\n\n\n\n

Pe de alt\u0103 parte, de peste dou\u0103 decenii, aproape fiecare ministru al Culturii a promis c\u0103, \u00een Bucure\u0219ti, va fi construit\u0103 o nou\u0103 sal\u0103 de concerte, la standardele prezentului. P\u00e2n\u0103 acum, nu exist\u0103 nici m\u0103car un stadiu de proiect. <\/strong><\/p>\n\n\n\n

Nu este bun\u0103 pentru concerte<\/h2>\n\n\n\n

\u00centr-un interviu acordat Buletin de Bucure\u0219ti, dirijorul Constantin Grigore a explicat c\u00e2t de dificil este pentru muzician s\u0103 ob\u021bin\u0103 un sunet de calitate \u00een aceast\u0103 sal\u0103 \u0219i mai ales c\u00e2t de greu este s\u0103 se coordoneze o orchestr\u0103. <\/strong><\/p>\n\n\n\n

\u201eEste un proces foarte, foarte greu. \u021ain minte c\u0103 s-au adus anumite boxe de ambient, s-a creat a\u0219a zisa acustic\u0103 fals\u0103, cumva, pentru a reda publicului c\u00e2t mai aproape de fidelitate muzica pe care orchestrele o creeaz\u0103.<\/p>\n\n\n\n

Dar este totul foarte artificial. Nu este o sal\u0103 de concerte precum cea de la Berlin sau de la Munchen ori din Londra.\u00a0Cumva am reu\u0219it. dar nu cred c\u0103 \u0103sta este viitorul<\/strong>\u00a0\u0219i sper\u0103m s\u0103 se \u00eent\u00e2mple la un moment dat s\u0103 mai apuc\u0103m s\u0103 vedem o sal\u0103 de concerte adev\u0103rat\u0103 \u00een Bucure\u0219ti\u201d, a declarat dirijorul. <\/p>\n\n\n\n

Constantin Grigore a confirmat c\u0103 Sala Palatului nu este potrivit\u0103 pentru acest eveniment de anvergur\u0103. <\/p>\n\n\n\n

\u201etim cu to\u021bii c\u0103 nu este o sal\u0103 propice pentru concerte de muzic\u0103 clasic\u0103, dar se pare c\u0103 au trecut foarte, foarte mul\u021bi ani \u0219i lucrurile au stagnat, au r\u0103mas la fel, nu a interesat neap\u0103rat pe cineva\u201d, a men\u021bionat fondatorul orchestrei Camerata Regal\u0103. <\/p>\n\n\n\n

CITE\u0218TE \u0218I: Cafeneaua BdB | Constantin Grigore, dirijor \u0219i fondator al Cameratei Regale: Nu am fost niciodat\u0103 tentat s\u0103 r\u0103m\u00e2n \u00een str\u0103in\u0103tate. Dac\u0103 to\u021bi plec\u0103m, nu mai r\u0103m\u00e2ne nimic aici<\/a><\/strong><\/p>\n\n\n\n

Dan Dediu despre Sala Palatului: Tratamentele de anul acesta au func\u021bionat<\/h2>\n\n\n\n

\u00cen acest context vechi, declara\u021bia compozitorului Dan Dediu, a c\u0103rui concert pentru orchestr\u0103 va fi prezentat \u00een premier\u0103 \u00een deschiderea Festivalului Enescu, a surprins pe cei prezen\u021bi la conferin\u021ba de pres\u0103 de dinaintea evenimentului.<\/strong><\/p>\n\n\n\n

\u201eAm fost diminea\u021b\u0103 (s\u00e2mb\u0103t\u0103 – n.r.) la Sala Palatului, chiar de diminea\u021b\u0103, la repeti\u021bia Orchestrei Filarmonicii George Enescu, dirijat\u0103 de Cristian M\u0103celaru, \u0219i Sala Palatului sun\u0103 foarte bine.<\/p>\n\n\n\n

Asta nu \u00eenseamn\u0103 c\u0103 nu ne trebuie o sal\u0103 nou\u0103 de concerte. Dar sun\u0103 foarte bine, panourile puse \u0219i toate tratamentele de acolo fac ca orchestra s\u0103 se aud\u0103. Nu numai \u00een sal\u0103, dar s\u0103 se aud\u0103 ei \u00eentre ei. <\/p>\n\n\n\n

De fapt asta era marea problem\u0103, c\u0103 nu auzea alama ce v\u00e2nt\u0103 viorile, solistul aproape c\u0103 nu se auzea deloc. \u0218i din cauza asta existau \u0219i diverse derapaje.<\/strong><\/p>\n\n\n\n

Dar am vrut s\u0103 remarc acest lucru, calitatea audie\u021biei anul acesta s-a \u00eembun\u0103t\u0103\u021bit foarte mul\u201d, a declarat Dan Dediu.<\/a><\/p>\n\n\n\n

Prezent la conferin\u021ba de pres\u0103 primarul general interimar Stelian Bujduveanu a declarat c\u0103 el nu mai promite o sal\u0103 de concerte nou\u0103.<\/p>\n\n\n\n

\u201eNu o s\u0103 v\u0103 spun c\u0103 vom face o sal\u0103, pentru c\u0103 aceste promisiuni care nu au avut o finalitate… Trebuie s\u0103 schimb\u0103m paradigma \u00een rela\u021bie cu cet\u0103\u021benii. \u00cent\u00e2i s\u0103 facem \u0219i apoi s\u0103 le ar\u0103t\u0103m s\u0103 se vad\u0103 de la sine, nu doar s\u0103 venim \u0219i s\u0103 spunem ce vrem s\u0103 facem\u201d, a afirmat Stelian Bujduveanu.<\/p>\n\n\n\n

CITE\u0218TE \u0218I: \u00cencepe Festivalul Enescu 2025: 4 s\u0103pt\u0103m\u00e2ni, 100 de concert, 4.000 de arti\u0219ti<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eSun\u0103 foarte bine\u201d, a fost surprinz\u0103toarea declara\u021bie pe care compozitorul Dan Dediu a f\u0103cut-o despre Sala Palatului la conferin\u021ba de lansare a edi\u021biei 2025 a Festivalului Enescu. Declara\u021bia a venit \u00een contextul \u00een care, din nou, ca la fiecare edi\u021bie a acestui eveniment muzical important, a reap\u0103rut \u00een spa\u021biul public discu\u021bia despre locul nepotrivit \u00een […]<\/p>\n","protected":false},"author":60,"featured_media":144918,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[6994,81,5762],"tags":[23448,22773,18531,7414],"ppma_author":[22582],"class_list":["post-144914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-2","category-cultura","category-main","tag-dan-dediu","tag-enescu-2025","tag-festivalul-enescu","tag-sala-palatului"],"acf":[],"a3_pvc":{"activated":false,"total_views":0,"today_views":0},"yoast_head":"\nSurprinz\u0103toarea declara\u021bie a compozitorului Dan Dediu despre Sala Palatului, criticat\u0103 de majoritatea muzicienilor: \u201eSun\u0103 foarte bine\u201d - 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A fost redactor-\u0219ef al PRESShub \u00eentre 2022 \u0219i iunie 2024. Anterior, a fost redactor-\u0219ef al Newsweek Rom\u00e2nia, din 2018 p\u00e2n\u0103 \u00een 2021, \u0219i al cotidianului Rom\u00e2nia liber\u0103, \u00eentre 2015 \u0219i 2017. Este absolvent de Jurnalism, \u00een cadrul Universit\u0103\u021bii \u201eAl.I.Cuza\u201d din Ia\u0219i, \u0219i a urmat un master \u00een Managementul institu\u021biilor mass-media (f\u0103r\u0103 diserta\u021bie) la Facultatea de Jurnalism \u0219i \u0218tiin\u021bele Comunic\u0103rii din cadrul Universit\u0103\u021bii din Bucure\u0219ti. \u0218i-a \u00eenceput cariera la Opinia studen\u021beasc\u0103, cunoscuta \u0219coal\u0103 de pres\u0103 din Ia\u0219i. A lucrat \u00een presa local\u0103, apoi a devenit corespondent pentru Ia\u0219i al cotidianului Evenimentul Zilei. Din 2004, a coordonat pentru \u0219ase luni sec\u021bia de coresponden\u021bi a Evenimentului Zilei. A mai lucrat la s\u0103pt\u0103m\u00e2nalul Prezent \u0219i a colaborat cu revistele Dilema Veche \u0219i Suplimentul de Cultur\u0103. Este co-autor \u00een volumele \u201eMass-media \u0219i democra\u021bia \u00een Rom\u00e2nia post-comunist\u0103\u201d (ed. a II-a), Ed. Institutul European, Ia\u0219i, 2013, \u0219i \u201eCOVID - 19. 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Anterior, a fost redactor-\u0219ef al Newsweek Rom\u00e2nia, din 2018 p\u00e2n\u0103 \u00een 2021, \u0219i al cotidianului Rom\u00e2nia liber\u0103, \u00eentre 2015 \u0219i 2017. \r\n\r\nEste absolvent de Jurnalism, \u00een cadrul Universit\u0103\u021bii \u201eAl.I.Cuza\u201d din Ia\u0219i, \u0219i a urmat un master \u00een Managementul institu\u021biilor mass-media (f\u0103r\u0103 diserta\u021bie) la Facultatea de Jurnalism \u0219i \u0218tiin\u021bele Comunic\u0103rii din cadrul Universit\u0103\u021bii din Bucure\u0219ti. \r\n\r\n\u0218i-a \u00eenceput cariera la Opinia studen\u021beasc\u0103, cunoscuta \u0219coal\u0103 de pres\u0103 din Ia\u0219i. \r\n\r\nA lucrat \u00een presa local\u0103, apoi a devenit corespondent pentru Ia\u0219i al cotidianului Evenimentul Zilei. Din 2004, a coordonat pentru \u0219ase luni sec\u021bia de coresponden\u021bi a Evenimentului Zilei. \r\n\r\nA mai lucrat la s\u0103pt\u0103m\u00e2nalul Prezent \u0219i a colaborat cu revistele Dilema Veche \u0219i Suplimentul de Cultur\u0103. \r\n\r\nEste co-autor \u00een volumele \u201eMass-media \u0219i democra\u021bia \u00een Rom\u00e2nia post-comunist\u0103\u201d (ed. a II-a), Ed. Institutul European, Ia\u0219i, 2013, \u0219i \u201eCOVID - 19. 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