{"id":100847,"date":"2024-10-05T11:31:15","date_gmt":"2024-10-05T08:31:15","guid":{"rendered":"https:\/\/buletin.de\/bucuresti\/?p=100847"},"modified":"2024-10-05T12:05:37","modified_gmt":"2024-10-05T09:05:37","slug":"violonistul-valentin-serban-n-as-putea-sa-traiesc-in-mediul-aproape-industrial-de-facut-muzica-din-occident","status":"publish","type":"post","link":"https:\/\/buletin.de\/bucuresti\/violonistul-valentin-serban-n-as-putea-sa-traiesc-in-mediul-aproape-industrial-de-facut-muzica-din-occident\/","title":{"rendered":"Violonistul Valentin \u0218erban: N-a\u0219 putea s\u0103 tr\u0103iesc \u00een mediul aproape industrial de f\u0103cut muzic\u0103, din Occident"},"content":{"rendered":"\n

Violonistul Valentin \u0218erban, acum un muzician consacrat, nu are re\u021bineri \u00een a critica sistemul de promovare a tinerilor din Rom\u00e2nia. El a fost aproape s\u0103 nu-\u0219i g\u0103seasc\u0103 locul, fiind ignorat la \u00eenceputul carierei. <\/strong><\/p>\n\n\n\n

A avut dou\u0103 momente care i-au a\u0219ezat cariera pe direc\u021bia pe care \u0219i-o dorea. \u00cent\u00e2lnirea cu David Grimal, celebru violonist francez, \u0219i c\u00e2\u0219tigarea Concursului Interna\u021bional George Enescu 2020\/2021.<\/p>\n\n\n\n

Pe 5 octombrie, este solist, la Paris, \u00een cadrul Summitului Francofoniei, la concertul sus\u021binut al\u0103turi de Orchestra de Camer\u0103 Radio. \u00a0<\/strong><\/p>\n\n\n\n

Programul evenimentului cuprinde lucr\u0103ri de Enescu, Silvestri, Mendelssohn, Saint-Sa\u00ebns \u0219i Bart\u00f3k. <\/strong><\/p>\n\n\n\n

Valentin \u0218erban este prezent pe scen\u0103 \u00een calitate de solist-lider de orchestr\u0103, pentru un concert de tip play-conduct\/jou\u00e9-dirig\u00e9: aceasta implica o colaborare str\u00e2ns\u0103 \u00eentre membrii ansamblului, care trebuie s\u00e3 fie aten\u021bi la indicii subtile date de cel care conduce \u0219i s\u00e3 fie foarte receptivi unul la cel\u0103lalt pentru a men\u021bine coeren\u021ba \u0219i sincronizarea interpret\u0103rii, potrivit prezent\u0103rii oferite de organizatori. <\/p>\n\n\n\n

\u00cen dialogul cu Buletin de Bucure\u0219ti, Valentin \u0218erban a vorbit de dorin\u021ba sa de a se \u00eentoarce \u00een Rom\u00e2nia, dup\u0103 ce a f\u0103cut studii \u00een Austria, despre obstacolele pe care le-a \u00eent\u00e2lnit, dar \u0219i despre pasiunea sa pentru muzica de camer\u0103.<\/p>\n\n\n\n

\n\n\n\n

Buletin de Bucure\u0219ti: Concerta\u021bi pe 5 octombrie, la Paris, \u00een cadrul Summitului Francofoniei, \u00eempreun\u0103 cu Orchestra de Camer\u0103 Radio. Prezenta\u021bi lucr\u0103ri de Enescu, Silvestri, Mendelssohn, Saint-Sa\u00ebns \u0219i Bart\u00f3k. De ce a\u021bi ales acest repertoriu? <\/strong><\/p>\n\n\n\n

Valentin \u0218erban:<\/strong> Repertoriul a fost ales, \u00een principal, pentru c\u0103 sunt compozitori rom\u00e2ni \u0219i francezi, cu excep\u021bia lui Mendelssohn, desigur. <\/p>\n\n\n\n

\n

Enescu ne reprezint\u0103. Francezii consider\u0103 c\u0103 \u0219i pe ei \u00eei reprezint\u0103. Ei \u00eel consider\u0103 francez, noi \u00eel consider\u0103m rom\u00e2n. Sigur c\u0103 este ambele. <\/p>\n<\/blockquote>\n\n\n\n

\u00cen cazul lui Constantin Silvestri, cele trei lucr\u0103ri prezentate \u00een concert sunt pu\u021bin cunoscute, dar extrem de bine lucrate \u0219i reprezentative. E mare p\u0103cat c\u0103 nu sunt cunoscute mai bine \u0219i, de aceea, este fantastic c\u0103 \u00eel putem expune \u00eentr-un cadru interna\u021bional. <\/p>\n\n\n\n

Bart\u00f3k, pentru dansurile populare rom\u00e2ne\u0219ti care arat\u0103 at\u00e2t de bine cultura noastr\u0103. <\/p>\n\n\n\n

Iar concertul de Mendelssohn, care, desigur, nu este nici muzic\u0103 rom\u00e2neasc\u0103, nici fran\u021buzeasc\u0103, are leg\u0103tur\u0103 cu un context istoric special, pentru c\u0103 a fost un concert uitat mai mult de 100 de ani, poate aproape 150 de ani, iar Yehudi Menuhin<\/a>, care a fost sigur cel mai renumit elev al lui Enescu, l-a scos c\u0103tre public. El l-a \u0219i editat, a lui este singura edi\u021bie existent\u0103. A\u0219a c\u0103 leg\u0103tura indirect\u0103 prin Enescu exist\u0103. <\/p>\n\n\n\n

Sunte\u021bi un violonist consacrat deja \u0219i ave\u021bi experien\u021b\u0103. \u00centr-un interviu, ce-i drept, de acum 2 ani, a\u021bi declarat c\u0103 v\u0103 sim\u021bi\u021bi mai bine c\u00e2nd c\u00e2nta\u021bi cu orchestra dec\u00e2t c\u00e2nd sunte\u021bi solist, c\u0103 ave\u021bi anumite nesiguran\u021be pe care le sim\u021bi\u021bi. De unde vin aceste nesiguran\u021be la un un violonist? <\/strong><\/p>\n\n\n\n

Nu mai \u021bin minte interviul, dar lucrurile pu\u021bin s-au schimbat. Pentru a dob\u00e2ndi siguran\u021b\u0103, probabil \u00een orice domeniu, trebuie s\u0103 fie expus.<\/p>\n\n\n\n

Eu, p\u00e2n\u0103 la p\u00e2n\u0103 la c\u00e2\u0219tigarea concursului Enescu, practic nu aveam o carier\u0103. Odat\u0103 ce m-am \u00eentors din Austria, de la studii, \u00een Rom\u00e2nia eram complet necunoscut, complet ignorat \u0219i, nu \u0219tiu, c\u00e2teodat\u0103 p\u0103rea c\u0103 este dinadins, efectiv nu voia nimeni s\u0103 m\u0103 cunoasc\u0103.<\/p>\n\n\n\n

Niici nu erau dispu\u0219i s\u0103 m\u0103 cunoasc\u0103.<\/p>\n\n\n\n

Dar de unde venea aceast\u0103 reticen\u021b\u0103? De ce a\u021bi sim\u021bit acest lucru?<\/strong><\/p>\n\n\n\n

Am \u00eencercat s\u0103 spun un lucru direct. Am \u00eencercat s\u0103 scriu mailuri, s\u0103 dau telefoane la filarmonici, la toate institu\u021biile de cultur\u0103, pentru a avea un recital, un concert, ca orice artist care tinde s\u0103 fac\u0103 mai mult. <\/p>\n\n\n\n

\u0218i n-am fost primit. <\/p>\n\n\n\n

R\u0103spunsul negativ era cel mai bun lucru pe care-l primeam, c\u0103ci de regul\u0103 eram ignorat total. <\/mark><\/h4>\n\n\n\n

De acolo \u0219i frica, nefiind expus unui mediu solistic, pentru c\u0103 eu asta am tins s\u0103 fac, s\u0103 fiu solist. <\/p>\n\n\n\n

Sigur, lucrul acesta s-a schimbat foarte mult \u00een ultimii ani, pentru c\u0103 acum am activitate din plin \u0219i atitudinea, pe m\u0103sura experien\u021bei, s-a schimbat. <\/p>\n\n\n\n

CITE\u0218TE \u0218I: Violonista Mihaela Martin: \u00cen continuare este foarte mult talent \u00een Rom\u00e2nia, \u00eens\u0103 nu este cultivat<\/a><\/strong><\/p>\n\n\n\n

Datorit\u0103 concursului Enescu s-a schimbat \u0219i atitudinea fa\u021b\u0103 de dumneavoastr\u0103? C\u0103ci, \u00een acela\u0219i timp, a\u021bi declarat \u0219i dumneavoastr\u0103, cum au mai afirmat \u0219i al\u021bi violoni\u0219ti, c\u0103 nu v\u0103 plac concursurile, de fapt, c\u0103ci este o presiune foarte mare. Totu\u0219i, un concurs v-a consacrat.<\/strong><\/p>\n\n\n\n

Nu doar c\u0103 nu-mi plac, \u00eemi displac. Desigur, circumstan\u021bele au fost total favorabile \u00een urma concursului, nu doar c\u0103 m-a ajutat \u00een carier\u0103, dar a \u00eensemnat cariera mea. Sigur c\u0103 sunt recunosc\u0103tor. <\/p>\n\n\n\n

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Totodat\u0103, dac\u0103 ar fi s\u0103 recomand unui t\u00e2n\u0103r dac\u0103 s\u0103 participe la un concurs sau nu, n-a\u0219 face-o. <\/p>\n<\/blockquote>\n\n\n\n

Sunt con\u0219tient c\u0103 pot fi de ajutor, dar asta pentru c\u0103, din p\u0103cate, cel mai d\u0103un\u0103tor lucru este ignoran\u021ba. Sigur, publicul n-are de unde s\u0103 te \u0219tie, este normal, are nevoie s\u0103 citeasc\u0103, \u00eenainte de a te aprecia, c\u0103 ai c\u00e2\u0219tigat ceva. Sau cel pu\u021bin pentru a veni la concert, p\u00e2n\u0103 s\u0103 te descopere. <\/p>\n\n\n\n

Dar institu\u021biile de cultur\u0103 n-au voie s\u0103 fac\u0103 aceast\u0103 eroare. Tocmai institu\u021biile trebuie s\u0103 fac\u0103 o triere \u00eentre arti\u0219ti \u0219i s\u0103 prezinte publicului, cel pu\u021bin \u00een teorie, ce-i mai bun, ce consider\u0103 ei c\u0103 este mai bun, mai interesant. Or, institu\u021biile de cultur\u0103 nu fac aceast\u0103 triere, care vine pe alte principii.<\/p>\n\n\n\n

Dac\u0103 spui nepotism sun\u0103 politic. Dar exist\u0103 tot felul de leg\u0103turi care se creeaz\u0103 \u0219i nu este normal. <\/mark><\/h4>\n\n\n\n

Sigur, dac\u0103 eu pot s\u0103 recomand pe cineva \u0219i acea persoan\u0103 merit\u0103, o fac. Dar prea mult se bazeaz\u0103 pe direc\u021bia asta. <\/p>\n\n\n\n

Po\u021bi s\u0103 ascul\u021bi un artist pe care nu-l cunoa\u0219ti, dar dac\u0103 \u00ee\u021bi place, ce conteaz\u0103 ce scrie \u00een CV-ul lui?<\/p>\n\n\n\n

\"Violonistul
Violonistul Valentin \u0218erban. Foto \u0218erban Mestec\u0103neanu<\/figcaption><\/figure>\n\n\n\n

Dumneavoastr\u0103 sunte\u021bi oarecum atipic, s\u0103 spunem a\u0219a, \u00een lumea muzicii, \u00een sensul c\u0103 veni\u021bi dintr-o familie de ingineri. Majoritatea muzicienilor tineri vin din familii de muzicieni. Crede\u021bi c\u0103 a contat \u0219i acest lucru?<\/strong><\/p>\n\n\n\n

Sigur c\u0103 da. Dar pe pe de alt\u0103 parte, eu cred c\u0103 este un lucru bun c\u0103 nu sunt dintr-familia de muzicieni.<\/p>\n\n\n\n

Observ de foarte multe ori c\u0103 pe l\u00e2ng\u0103 presiunea care oricum ne \u00eenconjoar\u0103 \u00een lumea muzical\u0103, atunci c\u00e2nd vii dintr-o familie de muzicieni presiunea asta se amplific\u0103. Pentru c\u0103 tinzi s\u0103 cau\u021bi s\u0103 satisfaci un mediu \u00een care cre\u0219ti. <\/p>\n\n\n\n

Tata vrea s\u0103 fii muzician bun \u0219i toat\u0103 via\u021ba munce\u0219ti pentru asta.<\/p>\n\n\n\n

Exist\u0103 presiunea familiei \u0219i probabil trebuie s\u0103 confirm mai mult, c\u0103ci toat\u0103 lumea are a\u0219tept\u0103ri de la tine?<\/strong><\/p>\n\n\n\n

Tocmai de aceea sunt poate mai mul\u021bi muzicieni de succes care vin dintr-un mediu str\u0103in, s\u0103 zicem a\u0219a. Cei care vin din familii de muzicieni de foarte multe ori se plafoneaz\u0103 sau ajung la ni\u0219te limite probabil psihice, dup\u0103 at\u00e2ta presiune. A\u0219a c\u0103 eu consider c\u0103 sunt norocos din punctul \u0103sta de vedere. <\/p>\n\n\n\n

Venind din afara muzicii, s\u0103 spunem, v-a permis acest lucru s\u0103 experimenta\u021bi, s\u0103 fi\u021bi mai liber \u00een a c\u00e2nta?<\/strong><\/p>\n\n\n\n

Poate. De\u0219i m-ar fi ajutat s\u0103 aflu ni\u0219te lucruri mai devreme. C\u00e2nd ai muzicieni \u00een jurul t\u0103u, poate afli c\u00e2teva \u201esecrete\u201d nu la 18, ci la 14 ani. Pe de alt\u0103 parte, faptul c\u0103 am \u00eenv\u0103\u021bat singur, \u0219i c\u00e2nd spun singur nu \u00eenseamn\u0103 c\u0103 nu a fost cine s\u0103 m\u0103 \u00eenve\u021be, pentru c\u0103 am avut \u00eendrum\u0103tori, dar n-am fost \u00eenconjurat \u00een familie cel pu\u021bin, am \u00eenv\u0103\u021bat s\u0103 descop\u0103r multe lucruri pe care acuma le pot da mai departe. <\/p>\n\n\n\n

Asta m\u0103 ajut\u0103, s\u0103 \u0219tiu exact ce ce fac. <\/p>\n\n\n\n

CITE\u0218TE \u0218I:\u00a0Violoncelistul Valentin R\u0103du\u021biu: Este esen\u021bial ca muzica s\u0103 fie \u00eentr-o dezvoltare continu\u0103<\/strong><\/a><\/p>\n\n\n\n

Tot \u00eentr-un interviu a\u021bi spus \u0219i dumneavoastr\u0103, cum au mai spus-o \u0219i al\u021bii, c\u0103 \u0219coala rom\u00e2neasc\u0103 de muzic\u0103 \u00eei \u00eempinge pe elevi pe performan\u021b\u0103, s\u0103 participe la concursuri. Vine dintr-o tradi\u021bie sovietic\u0103, c\u0103ci este valabil pentru toat\u0103 Europa de Est. <\/strong><\/p>\n\n\n\n

Totu\u0219i, constat\u0103m c\u0103, de exemplu, la concursul Enescu ajung tot mai pu\u021bini concuren\u021bi din Rom\u00e2nia, iar cei care ajung nu mai urc\u0103 spre etapele superioare. De ce crede\u021bi c\u0103 o \u0219coal\u0103 cu o reputa\u021bie bun\u0103 nu mai reu\u0219e\u0219te s\u0103 produc\u0103 suficient, iat\u0103, pentru concursul Enescu?<\/strong><\/p>\n\n\n\n

Am un r\u0103spuns oarecum simplist. \u00cen momentul \u00een care oamenii buni pleac\u0103 din \u021bar\u0103, nu mai are cine s\u0103 creeze. Majoritatea oamenilor buni pleac\u0103 din \u021bar\u0103.<\/p>\n\n\n\n

Sigur, nu vorbim dac\u0103 este un lucru corect sau nu, dar asta se \u00eent\u00e2mpl\u0103. Cum am plecat \u0219i eu. Eu am vrut s\u0103 m\u0103 \u00eentorc, dar marea majoritate nu vrea asta.<\/p>\n\n\n\n

Este o oportunitate s\u0103 pleci din \u021bar\u0103, \u021bi se deschide un alt univers, ca muzician nu trebuie s\u0103 r\u0103m\u00e2i \u00eentr-o limit\u0103 a unei \u021b\u0103ri. La fel de important este \u0219i dac\u0103 te \u00eentorci. Dumneavoastr\u0103 de ce v-a\u021bi \u00eentors? <\/strong><\/p>\n\n\n\n

N-am un r\u0103spuns clar. Am sim\u021bit mereu nevoia s\u0103 revin. N-a\u0219 putea s\u0103 tr\u0103iesc \u00een str\u0103in\u0103tate. \u00centr-adev\u0103r, \u00eent\u00e2lne\u0219ti acolo mul\u021bi instrumenti\u0219ti buni \u0219i deschi\u0219i spre face muzic\u0103 \u0219i a ie\u0219i pu\u021bin din tipare. <\/p>\n\n\n\n

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Noi suntem \u00eenc\u0103 \u00eenchista\u021bi \u00een Rom\u00e2nia. Asta este o problem\u0103, cu deschiderea. <\/p>\n<\/blockquote>\n\n\n\n

Dar n-a\u0219 putea s\u0103 tr\u0103iesc \u00een mediul aproape industrial de f\u0103cut muzic\u0103, din Occident. Totul este o band\u0103 rulant\u0103. Dac\u0103 e\u0219ti angajat \u00eentr-o orchestr\u0103, ai 4-5 concepte pe s\u0103pt\u0103m\u00e2n\u0103, dou\u0103 repeti\u021bii pe zi, ajungi dou\u0103 ore acas\u0103, seara. Ori eu nu vreau a\u0219a o via\u021b\u0103. <\/p>\n\n\n\n

Vreau s\u0103 fac performan\u021b\u0103, dar s\u0103 o fac \u00een termenii mei, s\u0103 m\u0103 \u0219i bucur de via\u021b\u0103. Nu vreau s\u0103 trec pe l\u00e2ng\u0103 mine. <\/p>\n\n\n\n

Deci sunt ni\u0219te lucruri pe care cred c\u0103 le pierzi c\u00e2nd te duci \u00een Vest. <\/p>\n\n\n\n

Dar atunci c\u00e2nd v-a\u021bi \u00eentors \u0219i a\u021bi v\u0103zut aceast\u0103 ignorare, v-a\u021bi g\u00e2ndit s\u0103 pleca\u021bi din nou \u00een Austria? Cum a\u021bi rezolvat aceast\u0103 dilem\u0103: v-a\u021bi \u00eentors, dar nu v-au primit cu bra\u021bele deschise? <\/strong><\/p>\n\n\n\n

Da, este adev\u0103rat c\u0103 m-am g\u00e2ndit foarte mult timp de ce nu plec din nou. Norocul meu a fost c\u0103 \u00een 2017 am dat de David Grimal<\/a>. I-am scris un mail, a fost extrem de dr\u0103gu\u021b. <\/p>\n\n\n\n

M-a primit \u00een Paris, i-am c\u00e2ntat \u0219i m-a invitat \u00een Les Dissonances<\/a>. De atunci, cred c\u0103 am fost la toate proiectele lor.<\/p>\n\n\n\n

\u00cen felul acesta, am avut contact cu lumea vestic\u0103 la cel mai \u00eenalt nivel, am putut s\u0103 m\u0103 bucur \u0219i m-a ajutat s\u0103 m\u0103 \u00eencarc pentru c\u00e2\u021biva ani, cel pu\u021bin p\u00e2n\u0103 la concursul Enescu. Dup\u0103 care lucrurile au \u00eenceput s\u0103 func\u021bioneze. <\/p>\n\n\n\n

A\u021bi spus c\u0103 vre\u021bi o via\u021b\u0103 a dumneavoastr\u0103. Cine are un program mai \u00eenc\u0103rcat, un solist sau un membru al unei orchestre?<\/strong><\/p>\n\n\n\n

Poblema este aici cu scopul fiec\u0103ruia. Sigur, dac\u0103 vrei o via\u021b\u0103 mai lini\u0219tit\u0103, orchestra este mediul potrivit. Studiezi minim, ai o repeti\u021bie pe zi, un concert, maxim dou\u0103 pe s\u0103pt\u0103m\u00e2n\u0103 \u0219i \u00een rest po\u021bi fi lini\u0219tit. <\/p>\n\n\n\n

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Dac\u0103 vrei s\u0103 fii solist \u0219i ai aceast\u0103 \u00eempingere c\u00e2teodat\u0103 masochist\u0103, pentru c\u0103 este foarte greu s\u0103 faci asta, este foarte greu s\u0103 faci constant performan\u021b\u0103, atunci alegi s\u0103 fii solist. <\/p>\n<\/blockquote>\n\n\n\n

Ca solist, presiunea este constant\u0103 \u0219i e\u0219ti singur expus, nu te po\u021bi ascunde sau mula pe l\u00e2ng\u0103 cinci, \u0219ase, treizeci de oameni de l\u00e2ng\u0103 tine. <\/p>\n\n\n\n

Dirijorul Cristian M\u0103celaru declara \u00eentr-un interviu pe care mi l-a acordat c\u0103, din punctul lui de vedere, un membru al unei orchestre munce\u0219te mai mult. <\/strong><\/p>\n\n\n\n

\u00cen timp ce un solist preg\u0103te\u0219te \u00een principiu trei-patru concerte pe an, pe care le tot repet\u0103 \u00een concerte, un membru al unei orcheste trebuie s\u0103 se adapteze constant la diver\u0219i dirijori, diverse partituri, trebuie o mai mare concentrare.<\/strong><\/p>\n\n\n\n

CITE\u0218TE \u0218I:\u00a0Dirijorul Cristian M\u0103celaru: \u201eCe nu \u00eemi doresc niciodat\u0103 este s\u0103 fiu eu judecat pentru deciziile pe care guvernul \u021b\u0103rii \u00een care m-am n\u0103scut le ia\u201d<\/a><\/strong><\/p>\n\n\n\n

Mie sincer nu mi se pare ceva at\u00e2t de subiectiv \u00eenc\u00e2t s\u0103 fie discutabil. Sigur, nu spune nimeni c\u0103 este u\u0219or s\u0103 fii orchestrant, dimpotriv\u0103, este foarte greu s\u0103 faci performan\u021b\u0103, c\u0103ci \u0219i \u00een orchestr\u0103 exist\u0103 performan\u021b\u0103. <\/p>\n\n\n\n

Dar eu, f\u0103c\u00e2ndu-le pe ambele, consider c\u0103 este totu\u0219i o diferen\u021b\u0103. Nu sunt patru, cinci concerte, pot fi \u0219i 20 pentru un solist. \u00cen plus, pare simplu s\u0103 c\u00e2n\u021bi de mai multe ori aceea\u0219i partitur\u0103, dar nu este deloc a\u0219a. Eu, dup\u0103 ce termin un concert ca solist, merg \u00een sala de repeti\u021bie, m\u0103 duc s\u0103 studiez ore \u00eentregi. <\/p>\n\n\n\n

Pentru lucru acela \u201esimplu\u201d ai nevoie de o munc\u0103 imens\u0103. <\/mark><\/h4>\n\n\n\n

Desigur, este greu \u0219i ca orchestrant. Diferen\u021ba este c\u0103 tu, ca solist, trebuie s\u0103 c\u00e2n\u021bi fiecare not\u0103. \u00cen mod obiectiv, po\u021bi s\u0103 iei 90% din orchestran\u021bi \u0219i s\u0103 vezi c\u0103 nu c\u00e2nt\u0103 multe lucruri care sunt scrise, pentru c\u0103 au timp s\u0103 se ascund\u0103. \u0218i de multe ori nici nu po\u021bi s\u0103 c\u00e2n\u021bi tot ce este scris. Este o altfel de munc\u0103 \u0219i se completeaz\u0103. <\/p>\n\n\n\n

Mie \u00eemi place enorm s\u0103 c\u00e2nt \u00eentr-o orchestr\u0103. Dar nu a\u0219 vrea s\u0103 fac numai asta.<\/p>\n\n\n\n

\"Violonistul
Violonistul Valentin \u0218erban, \u00een recital cu Liviu Prunaru, \u00een cadrul Concursului International George Enescu 2024. Foto Alex Damian<\/figcaption><\/figure>\n\n\n\n

A\u021bi spus c\u0103 v\u0103 place foarte mult muzica de camer\u0103 \u0219i c\u0103 \u00een Rom\u00e2nia nu este promovat\u0103 prea mult. <\/strong><\/p>\n\n\n\n

Da, din p\u0103cate, de multe ori sunt s\u0103lile goale la muzica de camer\u0103. <\/p>\n\n\n\n

De ce? Nici publicul nu este deschis?<\/strong><\/p>\n\n\n\n

Cred c\u0103 nu este obi\u0219nuit. Nu pot s\u0103-mi explic de ce acest domeniu este marginalizat efectiv. Trebuie s\u0103 fie, cum s\u0103 zic, tente aproape populiste de prezentare a unui recital, ca s\u0103 prind\u0103 la oameni. <\/p>\n\n\n\n

Probabil nici nu este at\u00e2t de interesant ca la oper\u0103 sau la un concert simfonic, \u0219i trebuie pu\u021bin b\u0103t\u0103torit, s\u0103 intre \u00een cultura oamenilor. <\/p>\n\n\n\n

Este o muzic\u0103 mai grea?<\/strong><\/p>\n\n\n\n

Nu, nu. Cred c\u0103 este pur \u0219i simplu mai pu\u021bin interesant. O orchestr\u0103 mare te atrage. Un cvartet nu te atrage, chiar mergi 100% pentru muzic\u0103, altceva nu. <\/p>\n\n\n\n

Spunea\u021bi c\u0103 \u00een Austria muzica de camer\u0103 este mult mai prizat\u0103, a\u021bi c\u00e2ntat acolo.<\/strong><\/p>\n\n\n\n

Da, \u00een Vest \u00een general, \u00een fiecare zi sunt concerte camerale. \u0218i \u00eenc\u0103 din \u0219coal\u0103, a\u0219a se dezvolt\u0103. C\u00e2nd am plecat din Rom\u00e2nia, aveam un cartet \u0219i lucram c\u00e2t puteam la minim, s\u0103 zicem. Am mers acolo, unde eram \u00een 3,4,5 forma\u021bii, toat\u0103 lumea voia s\u0103 fac\u0103 asta. Era o cu totul alt\u0103 abordare. <\/p>\n\n\n\n

Suntem c\u00e2\u021biva muzicieni care \u00eencerc\u0103m s\u0103 promov\u0103m aceast\u0103 muzic\u0103. Fac deja de doi ani turneu cameral cu pianistul Mihai Diaconescu \u0219i pl\u0103nuim \u00een continuare s\u0103 facem asta. Avem recitaluri din ce \u00een ce mai multe, ceea ce e bine.<\/p>\n\n\n\n

CITE\u0218TE \u0218I:<\/strong>\u00a0Violonista Maria Marica, c\u00e2\u0219tig\u0103toare a Concursului Enescu: \u201eNu am timp s\u0103 spun altceva dec\u00e2t adev\u0103rul\u201d<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Violonistul Valentin \u0218erban, acum un muzician consacrat, nu are re\u021bineri \u00een a critica sistemul de promovare a tinerilor din Rom\u00e2nia. El a fost aproape s\u0103 nu-\u0219i g\u0103seasc\u0103 locul, fiind ignorat la \u00eenceputul carierei. A avut dou\u0103 momente care i-au a\u0219ezat cariera pe direc\u021bia pe care \u0219i-o dorea. \u00cent\u00e2lnirea cu David Grimal, celebru violonist francez, \u0219i […]<\/p>\n","protected":false},"author":60,"featured_media":100858,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[6994,81,5762],"tags":[14847,14893,15693,15692,15691],"ppma_author":[22582],"class_list":["post-100847","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-2","category-cultura","category-main","tag-concursul-enescu","tag-concursul-enescu-2024","tag-enescu","tag-summitul-francofoniei","tag-valentin-serban"],"acf":[],"a3_pvc":{"activated":false,"total_views":0,"today_views":0},"yoast_head":"\nViolonistul Valentin \u0218erban: N-a\u0219 putea s\u0103 tr\u0103iesc \u00een mediul aproape industrial de f\u0103cut muzic\u0103, din Occident - 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